“SUPER/NATURAL”: Judith Schaechter’s eight-foot-tall stained-glass dome, representing a “three-tiered cosmos,” is on view at the Michener Museum in Doylestown, Pa., April 12 through September 14.
On view April 12 through September 14 at the Michener Art Museum in Doylestown, Pa., “Judith Schaechter: Super/Natural” is the first exhibition to feature the internationally known glass artist’s newest work, an eight-foot-tall stained-glass dome designed for a single viewer.
The immersive stained-glass environment represents a “three-tiered cosmos” that explores the idea of biophilia, the human tendency to connect with nature. more
Mexico’s Mysterious Stranger” is the way James Agee characterized B. Traven in his February 2, 1948 Time review of John Huston’s film adaptation of The Treasure of the Sierra Madre. I’ve been haunted by Traven’s multi-faceted invisibility ever since last week’s column on the “disappearing poet” Weldon Kees, who told a friend in his last phone call in May 1955: “I may go to Mexico. To stay.” My interest in Traven began in earnest on Albert Einstein’s birthday, March 14, Pi Day in Princeton, after hearing that Traven’s The Death Ship (Das Totenschiff), published in German in 1926, is the novel Einstein named when asked what book he’d take to a desert island.
I was on my way out of the Bryn Mawr-Wellesley Preview Sale with $10 worth of books when I noticed a devastated Cedok guide to Prague on a table of discards. Although the back cover was detached, the book was full of information and photos from a time when Franz Kafka and his family were living in the Czech capital. Attached to the ravaged back cover was a large colorful fold-out map of Prague in first-rate condition, which I’ve been using to locate entries from Kafka’s Diaries 1910-1923 (Schocken 1975).
