October 10, 2012

Arts Council of Princeton, Paul Robeson Center, 102 Witherspoon Street is showing works by Shiva Ahmadi, Monira Al Quadari, Nezaket Ekici, Hayv Kahraman, and Efret Kedem as part of “The Fertile Crescent: Gender, Art and Society” series, through November 21. Visit www.artscouncilofprinceton.org.

Bank of Princeton Community Art Gallery, 10 Bridge Street, Lambertville, is showing works by Alyssa Rapp and Ilene Rubin through October 15. Visit www.thebankofprince
ton.com.

Bernstein Gallery at the Woodrow Wilson School, Princeton University, has works by Negar Ahkami, Ghada Amer with Reza Farkhondeh, Zeina Barakeh, Ofri Cnaani, Parastou Forouhar, and Shadi Ghadirian as part of “The Fertile Crescent” project, through October 19.

Bucks County Gallery, 77 West Bridge Street, New Hope, Pa., presents a solo exhibit by Christine Graefe Drewyer through October 28. Visit www.buckscounty
galleryart.com.

College of New Jersey Art Gallery, Pennington Road, Ewing, is presenting “Bruce Rigby: Recent Work” through October 11 in honor of Mr. Rigby’s retirement from teaching. Visit www.tcnj.edu/artgallery.

D&R Greenway, Johnson Education Center, 1 Preservation Place, presents “Sustainable Harvest: Creating Community Through the Land,” a mixed-media show about farmland, iconic farm structures, and new perspectives on crops and creatures, through November 9. Winners of the “Species on the Edge” art and essay contest, devoted to New Jersey’s endangered and threatened species, is in the the Olivia Rainbow Gallery, also through November 9.

Ellarslie, Trenton City Museum in Cadwalader Park, Parkside Avenue, Trenton, is showing “Naturally, Man-Made, in Full View: The Art of le Corbeau” through November 4. A gallery walk with Francois Guillemin is October 14 at 2 p.m. Showing through January 13 is “James Rhodes, Trenton Stoneware Potter, 1773-1784” and “Contemporary Art from the TMS Collection.” Call (609) 989-3632 or visit www.ellarslie.org.

Gallery at Chapin, 4101 Princeton Pike, has drawings and paintings by Dot Bunn through October 26. From November 1-December 14, “Abstract Drawings and Paintings” by Pat Martin will be shown. The opening reception is November 7, 5-7 p.m. Call (609) 924-7206.

Gallery 14, 14 Mercer Street, Hopewell, shows “Nantucket” by India Blake, “Cityscapes” by Charles Miller and Richard Trenner, and “Recent Work” by Kenneth Kaplowitz October 12-November 11. The opening reception is October 12, 6:30-8:30 p.m. Meet the Photographers October 14, 1-3 p.m. Gallery hours are Saturday and Sunday, noon-5 p.m. or by appointment.

Garden State Watercolor Society presents its 43rd Annual Juried Exhibition through October 28 at Prallsville Mills in Stockton. For times and details on special events, visit www.gardenstatewatercolor
society.net.

Gelavino Gelato Shop at Princeton Shopping Center, North Harrison Street, is showing 12 prints by Princeton High School junior Jane Robertson through October 31.

Gourgaud Gallery, Cranbury Town Hall, 23-A Main Street, Cranbury, hosts Colleen Cahill, who will show her pastels, watercolors and mixed media pieces in a show called “Transitions” through October 28. Visit www.cran
bury.org.

JB Kline Gallery, 25 Bridge Street, Lambertville, is showing “At the Same Place at the Same Time,” paintings by S.L. Baker, through October. The opening is October 13, 6-9 p.m. Visit www.slbakerpaintings.com.

The James A. Michener Art Museum at 138 South Pine Street in Doylestown, Pa., has “To Stir, Inform, and Inflame: The Art of Tony Auth” is on view through October 21. “I Look, I Listen: Works on Paper by Marlene Miller” is exhibited through October 14. “Creative Hand, Discerning Heart: Story, Symbol, Self,” runs through December 30. On October 14 at 3 p.m., cartoonists Jules Feiffer, Tony Auth and Joel Pett will discuss the state of the art form, led by David Leopold, curator of the Auth exhibit. On October 23 at 1 p.m. Rachel Bliss, Syd Carpenter, Celia Reisman, Peter Rose, Robert Winokur and Kate Javens, whose works are in the “Creative Hand” exhibit, will discuss their art. Visit www.michenerartmuseum.org.

Lawrenceville School’s Marguerite & James Hutchins Gallery, Gruss Center of Visual Arts, Lawrenceville, has a Faculty Exhibition 2012 through October 27. Visit www.law
renceville.org.

Lewis Center for the Arts’ Lucas Gallery, 185 Nassau Street, opens its season with a drawing show by more than 40 students, through October 26. The gallery is newly renovated and will feature work by ceramics students November 13-21, and by those studying sculpture, graphic design, and photography December 4-14. Free public lectures by faculty members begin October 10 with Sarah Charlesworth, photographer. Sculptor Pam Lins speaks October 24, painter Josephine Halverson on November 7, and filmmaker Su Friedrich on December 5. Visit www.princeton.edu/arts.

Mariboe Gallery at Peddie School, Swig Arts Center, Hightstown, presents “Nuits Blanches,” recent paintings by Frank Rivera, October 12-November 12. An opening reception and talk by the artist is October 12 from 6:30-8 p.m. Visit www.peddie.org/mariboe
gallery.

Morven Museum & Garden, 55 Stockton Street, presents “Portrait of Place: Paintings, Drawings, and Prints of New Jersey, 1761-1898” through January 13. Museum hours are Wednesdays-Fridays from 11 a.m. to 3 p.m. and Saturdays and Sundays from noon to 4 p.m. on. Group tours of 10 or more can be arranged any day by advance reservation. There is free on site parking.

New Hope Sidetracks Art Gallery, 2A Stockton Avenue, New Hope, presents its Sixth Annual Naked in New Hope exhibition, a group show about the human body, through November 3.

Outsider Art Gallery, 10 Bridge Street, Suite 4, Frenchtown, has a show of work by artists from the Canary Islands and England through November 1. Additional venues are the first floor of New Hope Arts, next door, and The Raven, New Hope Lodge, 400 West Bridge Street. Call (215) 862-4586.

Parsonage Barn, 3 Cranbury Neck Road, Cranbury, is showing work by Watercolorists Unlimited October 13 from 10 a.m. to 4 p.m. Paintings are of local scenes and landscapes.

Plainsboro Library Gallery, 9 Van Doren Street, Plainsboro, presents portraits by artist/architect Pablo Riestra, through October 31. A reception is October 21 from 2-4 p.m. Call (609) 275-2897 for more information.

Rider University Art Gallery presents “Photographic Psychology: Forces That Shape the Psyche” through October 14. Visit www.rider.edu/artgallery.

Sweet Edge Sculpture Tour, in six studios and sculpture gardens throughout New Hope, is October 13 and 14, 10 a.m.-5 p.m., rain or shine. Works in wood, stone, steel, and bronze are included, by artists George Anthonisen, Constance Bassett, David Cann, Raymond Mathis, John McDevitt, and Steven Snyder, who will be on hand to discuss their work. Admission is free. Visit www.sweetedgesculpture.com for
information.

CELEBRATING 15 YEARS: The Princeton Charter School community gathered on Monday to ­celebrate the school’s 15th anniversary.

It all began 15 years ago with 72 children, about a dozen-and-half determined parents, and a meager one-and-one-half floors of space. Now the Princeton Charter School (PCS) is recognized as “one of the best schools in the state of New Jersey,” according to Assistant Commissioner of Education Evo Popoff, who spoke on Monday at a celebration of the school’s anniversary.

The parents who signed the original charter application and are referred to by PCS’ers as the “founders,” were cited for their vision and tenacity more than once during the program. “This is the most democratic form of education we have in this country,” noted Mr. Popoff. “It’s based on a parent’s decision.” He praised the over 5,000 current charter schools across the country for “creating opportunities for innovation,” and pointed to the fact that PCS was open on Monday, when other schools were closed for Columbus Day, as evidence of PCS’s rigorous philosophy of education.

“The founders said, ‘we are going to focus on students,” said Mr. Popoff. The result, he added, is that PCS isn’t “pulled back by the things that often pull back schools across the state.”

The original mission of Princeton Charter School was premised on the belief that a “thorough and efficient education is best accomplished through a rigorous curriculum that requires mastery of core knowledge and skills.”

Unlike non-charter public schools, PCS, which is now a kindergarten through eighth grade school with 350 students, must acquire and renovate its facilities within its operating budget. In 2010, the school, without using any taxpayer money, opened an environmentally-friendly, 17,000 square foot multi-use facility that houses a black-box theater, a gymnasium, and an art studio. Before the school received any public funding, the costs for student outreach and teacher recruitment were funded solely by an association of Friends of PCS. The first phase of the renovations of the facility at 575 Ewing Street (now 100 Bunn Drive) was donated to the school by Friends of PCS, and they have continued to provide major funding and support for both events and facilities.

In his comments on Monday, physical and health education teacher Mark Papp recounted the dramatic evolution of the school’s facilities. After his job interview with Head of School Charles Marsee and board member Herman Tull 12 years ago, Mr. Papp asked where the school’s gym was. “Herman Tull was laughing so hard he almost fell on the floor,” said Mr. Papp. Mr. Marsee informed him that there was no gym, but on a tour of the school’s modest facilities later that day, Mr. Papp noted that there already was a science lab. “‘These people care about education,’” he recalled thinking.

This ability to make do with a limited amount of resources has also characterized PCS faculty. Another speaker on Monday, science teacher Mark Schlawin, described teachers who taught four and five classes a term; proctored study halls; and substituted for one another when necessary. “The test scores began high and have been climbing ever since,” he said of the award-winning school.

A video, “Founding Principals, Founding Principles of the Princeton Charter School,” can be seen on YouTube.

For more information on the Princeton Charter School, visit http://pcs.k12.nj.us/.


Springboard, an after school tutoring and homework help center once housed in the Princeton Public Library, has moved. Its new location is room C-104 at the Walnut Lane entrance of John Witherspoon Middle School.

“For the last five years or so, the library has been underwriting the cost of Springboard, but many of those sources have dried up,” said Executive Director Leslie Burger. Springboard usage statistics, she added, were not encouraging. She expressed delight, however, in the fact that the “Princeton Public Schools found a new home for Springboard.”

“The quality program that you have come to expect and rely on will be the same,” Springboard spokeswoman Joyce Turner reported in a letter to the community announcing Springboard’s new location. The free drop-in program, which does not require appointments, will continue every Monday through Thursday from 3:30 to 6 p.m. when the Princeton Public Schools are open.

In the meantime, the library has created other on-site after-school options, including a new tutoring program, for youngsters. These include a chess club, a Mac lab where students work on collaborative projects, and the addition of laptops to the third-floor teen area. All of these activities, said Ms. Burger, are either subsidized by outside funds, and/or staffed by volunteers.

More traditional after-school homework help from adult community volunteers and college level students is also now available at the library from 4 to 6 p.m. every Monday through Thursday when Princeton Public Schools are in session. Students in all grades from all Princeton schools are welcome, and, like Springboard, registration is not required.

In the past, Springboard estimated that it helped between 10 and 35 students per day. In 2000, the American Library Association honored Springboard with an award for excellence in after-school programming for young adults.

“For over 20 years we loved working with the library,” said Ms. Turner. “The collaboration was just wonderful; the library provided books, and Springboard provided instruction.

“It won’t be the same,” Ms. Turner added. “We’ve sent a letter to the youth services staff at the library, telling them how much we’ll miss them.” The new middle school location now being used was felt to provide the “best balance” for students in all grades.

Ms. Turner said that she was grateful for continued support from the F.I.S.H. Foundation, to staff who took a pay cut, and to the school district for offering a space. “We’re not going to let the program die. Many of the kids who come in have special education needs and come from low-income families.”


A NEW BREW: Eric Nutt, left, and Tom Stevenson, both of Triumph Brewing Company, are ready to dispense the Black Squirrel Ale that brewmaster Stevenson has concocted after a suggestion from Steve Omiecinski, co-owner of Princeton Black Squirrel Company. The brew will be on tap Monday, October 15 starting at 6 p.m.

At Communiversity last spring, Steve Omiecinski, co-owner of Princeton Black Squirrel Company, ran into Tom Stevenson, the brewmaster for Triumph Brewing Company on Nassau Street. The talk, about business, inevitably turned to beer.

“I said to Tom, ‘Wouldn’t it be kind of neat if we had a black squirrel beer?’, Mr. Omiecinski recalls. “He started scratching his chin. I think he was building a recipe on the spot.”

A few months later, Eric M. Nutt, Triumph’s sales and public relations manager, called Mr. Omiecinski to say Mr. Stevenson had come up with a brew. The result, Black Squirrel Ale, will debut at a barrel-tapping, to which the public is invited, on Monday, October 15 starting at 6 p.m. The nutty brew will remain available at Triumph for the next two or three weeks.

Mr. Omiecinski and his wife Mimi, who owns Princeton Tour Company, founded Princeton Black Squirrel Company two years ago with partner Rob Green, to promote all things Princeton and encourage collaborations
between businesses, residents, Princeton University, and community organizations. The name refers to the town’s unique population of black squirrels, which legend has it were imported to Princeton by 19th century philanthropist Moses Taylor Pyne.

“The company’s message is increasingly well understood,” says Mr. Omiecinski, whose day job is running the North American marketing organization for Terumo, a Japanese medical device firm. “I think everything about the Black Squirrel brand is celebrating everything about this town, and how businesses and the University and the residents can all contribute to making this a better place.”

Black Squirrel donates a portion of its profits to the Princeton Public Library. The company sells its mugs, tee-shirts, and decals at Landau on Nassau Street and Luxaby Baby and Child in Palmer Square. “We’re exploring other opportunities to partner with other small businesses,” Mr. Omiecinski says. “The idea is to have ways to promote and
celebrate the town.”

Mr. Omiecinski, Mr. Stevenson and Mr. Nutt are hoping to attract a sizable crowd to the barrel-tasting. Describing the brew, Mr. Stevenson said, “The beer is basically a Porter, or dark brown ale. It’s brewed with American-grown chestnuts, and will have some hazelnut flavor. Between the two, we hope it’s nutty enough to be appealing to a squirrel.”

All joking aside, this is Mr. Stevenson’s first venture into making a nutty beer. At Triumph, he has created more than 100 different styles of beer. “They can be trying to emulate an existing style, or revive an old one,” says Mr. Nutt. “Some have legitimate stylistic roots. Others are made up.”

Bar patrons who show up at the barrel-tapping wearing Princeton Black Squirrel apparel will get their first Black Squirrel Ale for free, courtesy of Triumph. Mr. Omiecinski says he is waiting until the barrel-tapping to get his first taste of the brew. “I’m refraining until then,” he says. “I want to be surprised.”


Princeton Borough Council’s unanimous vote October 2 to introduce an ordinance creating the Morven tract historic district comes after more than six years of efforts in support by one segment of the neighborhood, and vociferous objections by another. The latter was represented in force at the meeting last Tuesday, at which Mayor Yina Moore had to bang her gavel more than once to restore order.

The vote, which elicited boos and hisses, sends the ordinance off to the Regional Planning Board. After review, the measure will return to Borough Council for a final public hearing and vote. The proposed district is in the town’s architecturally distinctive western section and spans portions of Hodge Road, Library Place, Boudinot Street, Morven Place, and Bayard Lane.

It was last month that the Borough’s Historic Preservation Review Committee (HPRC) recommended that the designation be pursued, but also advised that Borough Council postpone acting on the recommendation until after consolidation goes into effect in January 2013. The Borough and Township have different ordinances, and the newly merged commission is expected to reflect elements of the existing two when it is formed.

Borough Council’s decision to take the first steps in considering the ordinance last week caused consternation among those opposed to the designation. Chief among other concerns voiced by residents of the district and some who live outside its boundaries were restrictions that would require them to go through a review process before making changes to the exteriors of their homes.

But Nora Kerr, chairperson of the HPRC, said this week that some of those concerns are unfounded. “The present Borough ordinance says that if any surface has been refinished in the past, you can paint it any color you want,” she said in response to statements during the meeting about paint color restrictions. Changes that require review in historic districts include construction of fences, adding light fixtures, changing or adding awnings, replacing windows, building additions, new construction, demolition, and changes in roof materials. Should a homeowner need to replace a slate roof with materials less expensive, “We try to be reasonable,” Ms. Kerr said. “For a roof, they’d have to come in for a review. But that happens very rarely.”

The restrictions apply only to exterior portions of a property that are visible from the public right-of-way. “People seem to think we would address issues that are interior, which we don’t,” said Ms. Kerr.

Council members Roger Martindell and Kevin Wilkes recused themselves from the meeting last Tuesday because of conflicts of interest. Mr. Martindell, a lawyer, cited legal work he had done for the principal of the firm that drafted a report for supporters of the proposal, while Mr. Wilkes, an architect, said he had a client who lives in the proposed district. Judith Scheide, a Library Place resident opposed to the designation, asked Ms. Moore to recuse herself. Ms. Scheide questioned whether Ms. Moore had met with supporters of the district when she was running for office and promised them she would vote for the measure if they voted for her.

“I did not make any promises to vote,” Ms. Moore asserted, adding that the mayor only votes if there is a tie. “That’s not true. I did not have a meeting with them.” Ms. Moore then warned Ms. Scheide and others in the audience that unruly behavior would not be tolerated. “I can tell you right now that this meeting isn’t going to be like the last one,” she said.

Once the public comment portion of the meeting began, several residents lined up to speak. Kim Pimley, who lives on Library Place, said that about 52 percent of those in the district do not want it to be designated historic. “We’re in the majority,” she said. “We do not want this. Do not over-regulate us.” But her neighbor John Heilner, who has been involved in supporting the proposal since its inception, questioned her figures.

Mr. Heilner, among the few who spoke in favor of the designation, has said that there are others who share his views but are afraid to voice them. Those who support the measure say that the neighborhood’s character is in danger of changing as homes are torn down and replaced with new ones that don’t fit in “This area we are talking about is the so-called treasured western section. It is the most beautiful, historic, most desired neighborhood in Princeton,” said Mary Heilner, adding, “The houses are from a graceful period in time, and are part of what makes Princeton so special.”

But most of the residents who spoke at the meeting were opposed to the designation. B.J. Booth of Morven Place said, “If you add a process that is not needed, you are adding another level of bureaucracy. You’re going to have people fleeing from these houses and it will be very difficult to sell.”

Nick Karp of Boudinot Street said, “Just because you can do something doesn’t mean that you should. This isn’t going to be the Wild West if you don’t rezone. There will still be regulations.” Hodge Road resident Scott Sipprelle added that the neighborhood was “overwhelmingly opposed” to the designation. “Put this process to an end,” he urged Council.

Mark Solomon, the attorney for those against the designation, commented, “You’ve heard the people speak. We have, at every step, voiced our opposition … government should not go where it is not required to go.”

Following the lengthy public comment portion of the meeting, Council president Barbara Trelstad, a former resident of the western section, said she is concerned about preserving its character. “A house was torn down on Hodge five years ago, and replaced by a new, modern house,” she said. “There are a couple of others on Library Place. Tough economic times have stemmed the tide of larger tear-downs and huge McMansions going up, but still …”

Her concerns were echoed by Council member Jo Butler, who said she used to live in a historic district in Philadelphia and wished her Princeton house was located in one. “I don’t think the historic designation process is that onerous,” she said. “Trust me. The new government does not want to deal with this.”

Ms. Trelstad, Ms. Butler, Heather Howard and Jenny Crumiller then voted to introduce the ordinance and send it to the Planning Board for review. The audience made their displeasure known.


An interactive survey on the Township’s website, proposed by Deputy Mayor Liz Lempert and the Princeton Township Traffic Safety Committee, has enabled Township officials to collect recent statistics and details of commuters’ experiences on Route 1 that appear to have resulted from the New Jersey Department of Transportation’s (DOT) pilot project. The trial, which restricts left turns and U-turns on Route 1 at Washington Road and Harrison Street in West Windsor, began on Saturday, August 4, and was scheduled to last for 12 weeks.

While DOT officials cite reports of improved traffic flow on Route 1, the Township survey gives respondents the opportunity to get down to specifics. The fact that “Faculty Road is much more backed up at Washington Road, Hartley, and Harrison,” has been noted, as have dangers associated with using the DOT’s suggested alternate route on Scudder’s Mill Road.

“The trial is causing significant hardship for commuters into Princeton,” said Ms. Lempert, who is also the Democratic candidate for mayor of Princeton. “The Township has received 55 comments regarding the closures on Route 1 in the time period between September 19 and October 3.” Results of the Township’s survey will be reviewed by the engineering department.

Motorists participating in the survey complain about “illegal U-turns”; “wasting gas and emitting exhaust”; and “doubled and tripped commute times.” Multiple messages confirmed common problems like “Alexander is a parking lot,” and “traffic can be backed up on Alexander all the way to the exit from Route 1.”

The Township survey gives respondents an opportunity to include details on weather conditions; time spent traveling between locations; roadways traveled; and locations. Motorists are also asked how long the same trip took “pre-closure travel time,” in order to provide a basis for comparison.

Users of public transit are also experiencing the effects of the Route 1 limitations. Crossing Route 1 is “seriously impacting Princeton’s attractiveness as a place to live for those who rely on Princeton Junction train station,” said one report. The “DOT has created a public health hazard,” was another, along with “Alexander bridge was not made to accommodate this traffic volume; it is too narrow.”

“A trip from Canal Pointe to Princeton can now take 39 minutes,” complained a motorist. Others take note of the fact that people are “using the gas station on the corner of Route 1 and Harrison Street as a jughandle to turn around and go north on Route 1.”

“We are pressing the DOT to take a holistic approach to their data collection by factoring in the traffic impacts on secondary roads and related safety concerns,” said Ms. Lempert.


The Princeton Environmental Commission has recommended to the Regional Planning Board and the Site Plan Review Advisory Board (SPRAB) that AvalonBay Communities, the company contracted to develop a rental apartment complex at the former site of University Medical Center at Princeton, submit information that provides details about how they plan to clean up the site.

“Recent concerns have arisen in the community regarding the potential presence and removal of hazardous waste at the hospital site,” reads a memo dated October 4 from the PEC to the planners and SPRAB. “A grassroots group С The Princeton Citizens for Sustainable Neighborhoods С has requested that AvalonBay’s project not proceed and be declared incomplete until an independent environmental investigation is done to evaluate the presence of harmful substances on the site and, if contamination exists, to address risks to the health and public welfare of the surrounding community and of the project’s prospective tenants. The investigation would include soil and/or groundwater sampling and analysis.”

The memo goes on to say that the PEC recommends that AvalonBay, which is scheduled to come before SPRAB tonight, October 10, provide a reconciliation report as it relates to the two Phase I Environmental Site Assessments, prior to any consideration of the application.

It was at a meeting of the PEC October 1 that the issue of conflicting reports about potential contamination was raised by the Princeton Citizens group, represented by environmental lawyer Aaron Kleinbaum. Mr. Kleinbaum told the PEC that a September 2011 report commissioned by AvalonBay from the company EcolSciences “identifies current and former underground storage tanks and raises serious concerns about potential releases or solvents and other chemicals into soil and groundwater at the site.”

But AvalonBay’s application and its environmental impact statement “misrepresented the EcolSciences report when it said that no underground storage tanks or contamination were found at the property,” Mr. Kleinbaum continued.

The University Medical Center was also mentioned by Mr. Kleinbaum as responsible for “a lack of transparency” regarding the report. At the meeting, the PEC asked AvalonBay, which was represented by attorney Ann Studholme, to clarify whether the developer had followed up on the EcolSciences report’s recommendations. Ms. Studholme said she did not know if they had.

Mark Solomon, the hospital’s attorney, said that any leaks or spills at the former hospital site were reported and remediated in accordance with the proper regulations. “There are not any known environmental conditions on the property,” he said. “What we object to and find highly irregular is [the inference] that the hospital is breaking the law, with absolutely no substantiation. If there’s something real, we’d like to see it.”

Both attorneys said that reports of any incidents were available on the Department of Environmental Protection’s website.

The PEC memo recommends that AvalonBay provide the requested information, which also addresses issues of adequate space for trash management and food waste collection, management of peak sewage flows, and reduction of storm water flows, by October 15.


Witherspoon Grill’s Fourth Annual Harvest & Music Festival for Trenton Area Soup Kitchen prevailed Sunday in spite of the chilly turn taken by the weather.

October 3, 2012

To the Editor:

In celebration of our 45th anniversary, the Arts Council of Princeton (ACP) sends heartfelt thanks to the community for its continued support and participation. The ACP was founded in September 1967, and so we aimed to fill this past month with vibrant anniversary festivities.

Thank you to the hundreds of artists, families, and friends who joined us for our early-September Annual Members Show, which featured 165 artworks by member artists. We are delighted to share news that our Free Fall Open House on September 9 garnered both record attendance and class registrations. Our mid-month 1960s Dance Party was festive and fun — we grooved to music alongside a giant screen featuring vintage rock-n-roll footage and videos. Finally, we produced an Age of Aquarius benefit concert with renowned singer-songwriter Francis Dunnery. It was wonderful to see so many new and familiar faces here throughout this exciting month.

Thanks to everyone who helped make our events successful including: McCaffrey’s Markets, Lucy’s Ravioli Kitchen, Lindt Chocolate Shop, Halo Pub, bai Brands, the bent spoon, small world coffee, Princeton Record Exchange, Emily’s Café & Catering, and CoolVines. We send special thanks to our performers at the Fall Open House — who set the tone and created lots of excitement on our terrace and front steps — Lisa Botalico and the La Feria dancers, Uma Kapoor and her Bollywood dancers, and Zoe Brookes and the Stone Soup Circus troupe. Our gracious and informative artist-instructors rounded out a superb Open House. Finally, we thank our extraordinary volunteers, who on a daily basis work in so many ways to build community through the arts.

The ACP Staff and Board

To the Editor:

Though I am a registered Democrat who has lived in Princeton Borough for more than 30 years, I had never publicly supported a political candidate or issue, because I was a reporter. Journalists, in this country, generally try to maintain at least the appearance of impartiality. (In France, it is considered a breach of ethics for the reporter NOT to state his or her opinion at the top of the article.)

But in this Princeton mayoral race, I support the Republican candidate, Dick Woodbridge.

I respect Woodbridge’s regional vision as a community leader. As a business reporter for U.S. 1 Newspaper, I interviewed him in the late ’80s when he was among the first to suggest branding Central New Jersey as the “Princeton Rutgers Research Corridor,” now recognized as “Einstein’s Alley.”

I respect Woodbridge’s business savvy and experience. He is a patent attorney who advises companies — from struggling entrepreneurs to mega firms — and helps them succeed. I have “picked his brain” over the years on any number of legal and entrepreneurial issues. He has common sense about what will work and what won’t work.

I respect Woodbridge’s good will and diplomacy. He is one of only two people to have served in both town governments; he was council president in the Borough and mayor in the Township. From my point of view, being mayor is a difficult and thankless job. I am grateful that — in this difficult time of transition — someone of his caliber and experience has stepped forward to do it.

Woodbridge has lived through Princeton’s history. He knows “where the bones are buried” and he has the tact and diplomacy that Princeton needs in this crucial transition time. I would like to remind everyone who has not already lost faith in the American political process that this opportunity to elect Woodbridge as mayor may be Princeton’s last chance to have a two-party system. Democrats, please split your ticket and vote for Richard Woodbridge.

Barbara Figge Fox

Cedar Lane

To the Editor:

At least two of Princeton’s largest institutions, Rider University and Princeton University, are supporting proposed legislation now in the State Assembly that would empower them to build whatever they want, wherever they want, regardless of local land use controls.

The legislation, known as Assembly Bill 2586 (A 2586), would exempt private institutions of higher learning in New Jersey from the Municipal Land Use Law, including oversight by planning and zoning boards.

In Princeton, passage of A 2586 could embolden Rider to place a multi-story parking deck on its property behind Linden Lane, Princeton University to build a 15-story tower in the Engineering Quad along Murray Place, the Seminary to build a multi-story student center along Mercer Street, or the Institute of Advanced Study to build any number of housing units wherever it chooses. In each such case, the development could be built totally independent of any zoning control.

Were A 2586 to pass, the consequences of uncontrolled growth — on traffic, the environment, and the quality of life in individual neighborhoods and the community as a whole — could be horrific, but there would be no legal basis to challenge that growth. Princeton would become the quintessential “company town,” even more dominated by the four institutions.

And there’s lots of opportunity for each of the institutions to grow: in Princeton Borough and Township, the four institutions control the following acreage, according to the municipal tax assessor: Princeton University – 440.73; Rider University – 25.31; the Seminar – 96.1; and the Institute for Advanced Study – 359.42, for a total of 919.56 acres of developable land.

With passage of A 2586, the homeowner with a one-quarter acre lot will have to follow the zoning rules but the private educational institutions in the community, with 919 acres and multi-million or multi-billion dollar endowments, will not.

Princetonians who care about the future of our community might usefully contact their Assembly representatives to oppose A 2586. Residents might also contact those whom they know in the administrations of the four institutions to urge those institutions to think in terms greater than their narrow institutional goals — to think of the consequences of A 2586 on the community as a whole!

Roger Martindell

Patton Avenue, Member, Princeton Borough Council

To the Editor:

Over the past several years, it’s been my pleasure to work in local government with Liz Lempert. I heartily urge you to cast your vote for her as mayor of the new consolidated Princeton.

In campaigning for our merger, Liz applied her organizing skills to solidify support from many corners. On complex planning issues we worked on, she displayed a special sensitivity to the interests of disparate neighborhoods. Liz has a talent for consensus-building that makes a difference in producing results.

Liz has been a real advocate for sustainability. With your vote for her as mayor, she now has a chance to make neighborhood sustainability work throughout the new Princeton.

Marvin Reed

Former Mayor, Princeton Borough

To the Editor:

As everyone knows, this is an election year. Across the nation, there are big contests and major issues between Democrats and Republicans.

But not in Princeton. Here we are about to elect the first mayor of our unified town, one Princeton. Fortunately, we are blessed with having two exceptionally well-qualified candidates. Either one would be able to do the job.

But here’s my point. In Princeton, there are more voters registered as Democrats than as Republicans. But the choice between the two mayoral candidates, Dick Woodbridge and Liz Lempert, should not be a matter of partisan affiliation. Rather, it should be about which candidate has the experience and the ability to do the job in the best possible way.

I urge voters to make their choice for mayor of Princeton without reference to the nominal party affiliation of the candidate.

Harvey Rothberg (MD)

Bertrand Drive

To the Editor:

Mayoral candidate Dick Woodbridge, who attended a recent Township committee meeting, was right to ask for clarification on PPS Superintendent Judy Wilson’s comments, “the Valley Road school building did not need any attention, it has been well maintained” (“Issues of Education Spark Discussions,” Town Topics, September 5).

We are puzzled. Ms. Wilson might be talking about a section of the building where PPS board meets as the rest of the building gets an “F” in maintenance, as Mr. Woodbridge well said.

Again, we must keep the message going since some other disinterested parties do not seem to be listening.

The Valley Road building on Witherspoon Street is not in good shape. As Kip Cherry pointed out in the September 12 mailbox (“Historic Valley Road School Building Neglected”) it has been left to rot as the PPS will not make a decision on what to do with the property.

This has been going on for over a year and we ask Princetonians to take charge, and PPS to leave their egos behind, make a brave, honorable choice and let the “Save the Valley Road School” committee turn the building into a community center/non-profit space; in other words, lead by action.

Candidates mention their goals of turning Princeton into a sustainable and diverse community. What do they exactly mean? We are already facing issues with AvalonBay at the site of the hospital. We have an opportunity here. What about recycling and reusing the building? What about having a community center and non-profit organizations that will certainly mean diversity?

Princetonians have approved a referendum for referred maintenance and improvements. We find ourselves in a predicament. Though we highly value education and consider teachers the most important professionals, should we trust the board to use our money the right way? Let’s be realistic and let’s avoid more dollars coming out of our pockets when PPS board decides that another referendum is needed in a year or so, to tear down a building that could have been turned into a real community asset.

Adam Bierman, Sandra Jordan

Grover Avenue

To the Editor:

It has been eight years since community representatives, municipalities, traffic engineers, environmentalists, and the public developed a plan for the Route 1/Washington Road intersection. The principal components of the plan (called alternative, D.2.A) put Route 1 in a cut under Washington Road and added frontage roads on both sides of Route 1, a west-side connector road to Harrison Street, and a Vaughn Drive connector road. Taking all of these elements together, the NJ DOT envisioned area-wide improvements.

At the time, the New Jersey Department of Transportation stated, “Alternative D.2.A was selected as the preferred alternative because it provides a reasonable level of transportation benefit, while avoiding and minimizing environmental impacts. It represents a project that will achieve significant benefits without entailing years of delay due to extensive environmental permitting requirements. In short, it is a project that can be accomplished expeditiously.”

The DOT noted that it would provide congestion relief by improving traffic flow on Route 1, improving traffic flow on east-west routes crossing Route 1, and reducing traffic on residential streets; minimize environmental impacts to natural areas and species; reduce pollution; avoid residential displacements; minimize impact to historic properties listed with the National Register; and improve bicycle and pedestrian access and safety.

Having studied 20 alternatives, with many configurations, the NJ DOT concluded that the complete plan was needed, not a selection of the elements, instituted haphazardly.

Now the NJ DOT has gone against its own plan and, without community input, without computer modeling, has chosen instead to make employees, commuters, and especially residents of the Penns Neck neighborhood guinea pigs for an experiment that has failed in all parameters except perhaps in possibly improving traffic flow on Route 1 for a relatively short distance.

It is time to stop the Route 1/Washington Road experiment and to restore safety to the Penns Neck residents until funding can be obtained to do the job completely and effectively.

Sandra Shapiro

Wycombe Way

To the Editor:

Last Monday, Princeton residents reaffirmed their steadfast commitment to educational excellence for all of our town’s children. On behalf of the Princeton Board of Education, we thank the voters for being well informed, supportive and allowing this wise investment in facilities at all six of our public schools.

Because the community has permitted the district to take care of the nuts and bolts of its facilities work, students can be assured that their learning environments, from pre-kindergarten through graduation, will be safe and strong for years to come. The board will once again turn its full, undivided attention to the learning, achievement and wellness of the students in our charge.

Thanks again for supporting excellent public schools.

Timothy Quinn,

President of the Board

Andrea Spalla,

Vice-President of the Board

To the Editor:

There are several critical leadership qualities required to serve as mayor of our community as it moves through the vital process of consolidation. We are most fortunate that mayoral candidate Liz Lempert meets this rigorous test and indeed exemplifies what is needed — a new generation of leadership.

A. Commitment to the consolidated community — Liz has demonstrated a strong commitment over the past several years to working together as one community — a requirement for consolidation leadership.

B. Inclusive planning — Liz has excellent planning skills — both short and long term — with all community stakeholders.

C. Fiscal responsibility — We have closely watched and worked with Ms. Lempert as liaison to the Finance Advisory Committee in her efforts to both keeping the tax rate flat while at the same time maintaining the high level of community services that Princeton deserves.

D. Timely decision-making — Liz has the ability to tackle the endless debates that often immobilize local government and guide the governing body to decisions in an efficient and effective manner.

E. Sensible — We find that Liz is informed by the past but not blocked by it. She tempers a strong vision with a focus on the present with practical attention to detail.

These five leadership assets provide the foundation for a new generation of governance and partnership. As Mayor, Liz Lempert will lead us successfully over the next several years to a consolidated Princeton, envisioned by the Consolidation Commission and supported by the voters. We urge you to vote for Liz Lempert.

Alison and Anton Lahnston

Elm Road

To the Editor:

We would like to thank the West Windsor Police for their tireless efforts on behalf of Penns Neck residents since the closure of the jug handle at Route 1 and Washington Road. The police re-direct confused motorists and ticket those who blatantly disregard the No U-Turn signs and place themselves and other drivers at risk. Always courteous and helpful, the police are present not only during the morning rush hour but also in the evening and on the weekend when there are major events that draw many people into the Princeton area. The 2 percent cap on municipal governments limits the police presence, but when the police are in our neighborhood, driving is safer. We have had a sharp spike in accidents on Washington Road since the jug handles were closed, but the West Windsor police have certainly prevented additional accidents.

Susan C. Parris, Dorothy Noon Holmes, David C. Parris, Moragh Boyan, Eric Payne, Kathleen Russell, R. Peter Hodge,
Ronald J. Slinn, Tamerra Moeller,
Alison Miller, Katie Gallagher,
Sharon A. Sibilia, Libby Vinson

To the Editor:

Princeton is fortunate to have a competitive race to elect the first mayor of a united Princeton. Both candidates were public supporters of consolidation and generally perceived as dedicated to its success. Our good fortune is having a choice between two candidates with very different backgrounds skill sets and visions of Princeton’s future.

In my view, on January 1, 2013 we need to move well beyond the Consolidation Commission’s baseline of limited, favorable outcomes. Now is the time to aggressively pursue our once in a lifetime opportunity to set a high standard and road map for New Jersey in achieving consolidation’s synergistic benefits through politically bi-partisan collaboration, especially in the near term.

To make the right choice for Princeton’s future, we must elect the mayoral candidate best qualified by experience and on the job performance as a community Leader, hands on in local government.

Candidate Liz Lempert is intelligent, personable, and very politically active locally, state, and nation-wide. In a heavily Democratic town and with solid liberal progressive credentials, she was clearly a safe choice for maintaining Democratic Party control in Princeton. Her profile, however, with the exception of her current position as deputy mayor of Princeton Township, cites virtually no qualifications or experience, in either public or private life, which would prepare her to lead or govern a large, multi-faceted organization in the immediate future.

Dick Woodbridge’s profile is in stark contrast to that of Liz Lempert. His qualifications and experience in both public and private life reflect leadership roles together with broad professional skills, unmatched knowledge of the local community based on a lifetime in Princeton, and a consummate hands-on record of public service in highly responsible positions. His local public service, both as volunteer and elected official, included Princeton Borough Council President, Princeton Township Mayor, Police Commissioner and much more. He is a Princeton University graduate, an attorney and engineer. After a lifetime spent here, he understands the needs and motivations of the diverse groups in Princeton and will find pragmatic ways to get things done in a politically bipartisan, collaborative way for the betterment of his beloved town.

Princeton requires experienced and proven leadership to take the helm on January 1, 2013. The clear choice is Dick Woodbridge.

John Clearwater

Governors Lane

To the Editor:

After 22 years, Springboard, the after school tutoring and homework help center, has been asked to leave the Princeton Public Library. The library director stated that “we (PPL) are no longer able to provide funding or a place in the library for a formal Springboard program”.

We are delighted to inform everyone that we have a new location in room C-104 at the John Witherspoon Middle School at the Walnut Lane entrance. The quality program that you have come to expect and rely on will be the same! The program will still be available every Monday through Thursday from 3:30 to 6 p.m. when the Princeton Public Schools are open.

We provide certified Princeton Public School teachers and former teachers who are familiar with the curriculum of the schools K-12. Springboard continues to have relationships with Princeton Public School staff that enable our tutors to work cooperatively with teachers to meet the specific needs of our individual students.

Our staff includes a bi-lingual teacher and many others (including volunteers from the community and the University) who are proficient in higher level math and science.

Springboard remains a free, drop-in program with no appointments necessary.

We would like to take this opportunity to thank our generous donors who have made this transition possible. We would especially like to thank the F.I.S.H. Foundation Inc. for their continued support of this program. Please know that further donations will be needed to keep this program going. Springboard is a 501(C3) non-profit organization.

Joyce Turner

Woods Way

To the Editor:

To read the letters opposing the University’s proposal to move the Dinky Station 460 feet south of its current location causes one to wonder if its opponents are utterly unfamiliar with basic Anglo-Saxon property law, off their meds, have nothing else to do or some combination of the three.

Here’s the basic rule: unless you’re breaking some law, you pretty much get to do what you want with your property. Why? Because we’re Americans. Despite endless howling, no one has adduced a single fact that says the land isn’t the University’s or that it is breaking the law.

Reality check: 460 feet is about 153 paces of an ordinary biped and can be covered even at the profoundly slow rate of speed at which I, a gimpy biped with one good leg, moves in under five minutes. No doubt, many of the opponents of 153 paces would also be the first people to urge our chronically obese population to take extra steps — except to a moved Dinky station.

So, all of you, please, try worrying about something important: world peace, the inevitably bungled consolidation, or those noisy leaf blowers.

Mark Herr

Great Road

To the Editor:

October 1 is a day I can never forget. On that day in 1994, my daughter was killed in an automobile accident. In her case, the cause was a drunk driver. Any death in a car accident, however, brings horror, disbelief, pain, never-ending grief, and a loss that cannot be recovered.

I hope that I can make those feelings understood to people who drive our overcrowded roads, often too fast, and with not enough regard for their surroundings. I hope that those feelings are especially important to our traffic engineers, administrators, mayors, legislators, governors, and departments of transportation. They, of all people have our lives in their hands, when they plan with disregard for consequences.

A direct example is the lack of thought for safety in the New Jersey Department of Transportation experiment involving the loss of jug handles at Washington Rd. and the traffic snarl at Harrison Street and Route 1. I imagine you have been reading about drivers making U and K turns in Penns Neck to get back on a straight road into Princeton; about huge trucks driving through narrow suburban streets to avoid a longer trip; about drivers spending extra time getting to work and coming home; about racing automobiles tearing down streets not made for speed. Can you imagine what this is like for the parents and children who live on those streets? The DOT wants to make traffic move faster on Route 1, but at the expense of our neighborhoods. I am outraged by this disregard for life, whether caused by lack of caring, incompetence, or politics. The experiment that has some weeks to go must be stopped NOW before a tragedy occurs.

Are you listening Governor Christie? Are you listening DOT Commissioner Simpson? Can you help us Senators Menendez and Lautenberg? And Representative Holt? This is a cry for help, and we need you as soon as possible. Please listen to someone who has been through the unimaginable.

Paula McGuire

Washington Road

Winslow Lewis, Jr.

Winslow Lewis, Jr., 75, of Boulder, Colo., died peacefully at his home on Friday, September 21, 2012. He was born March 25, 1937 in Chestnut Hill, Pa., to Winslow and Mary (Hart) Lewis.

While living in Princeton, Falmouth, Mass., and in Boulder, Colo., Winslow found time to sail the open oceans, fly private planes and gliders, ski on two continents, ride his motorcycle, shoot in cowboy-action matches, and was passionate about rowing on Lake Carnegie in Princeton. In addition to his outdoor endeavors, he enjoyed a good political debate, Monty Python-esque humor, live music, and taking on Will Shortz in the Sunday New York Times.

He was a graduate of the Pomfret School, Phillips Academy, and Princeton University (1959). At Princeton, he rowed on the heavyweight crew and was a member of the Ivy Club. Winslow was a proud representative of the Class of ’59, and of course, always marched in the annual “P-rade” at Princeton Reunions.

His four decade long career was spent in publishing, where he established a peerless reputation at Ladies Home Journal, National Geographic, Rolling Stone, Life International, Money Magazine, and Time Magazine.

Winslow was a member of the First Troop Philadelphia City Cavalry (Army National Guard), holding the rank of Master Sergeant. He also was a member of the Ocean Cruising Club, the Philadelphia Club, and the Single Action Shooting Society, adopting the nom de guerre, Stoney Bart.

Winslow is survived by his wife of 35 years, Tina (Johnson) Lewis, whom he married on Bromley Mountain in Peru, Vt., on Dec. 31, 1976. He also is survived by his five children: Brook Lewis (Darren Frink) of Seattle, Wash; Diana Lewis Cuyler (Alex) of Pleasant Hill, Ore.; Whitman Wolcott Thompson (Shannon) of Rochester, N.Y.; Winslow Lewis, III (Andrea) of Missoula, Mont.; Crandell Parker Lewis of Boulder, Colo.; and Jackson (Ivy) the Dog. Six grandchildren also carry on his legacy of love and laughter: Hannah and Harper Frink of Seattle, Wash,; Lily and Elias Cuyler of Pleasant Hill, Ore.; and Spencer and Ramsey Thompson of Rochester, N.Y. His surviving brother, Montgomery Lewis, resides in Wiscassett, Maine.

An open-house memorial and celebration of Winslow’s life will be held at noon on Sunday, November 4, 2012, in the Chautauqua Community House in Boulder, Colo.

The family extends their heartfelt gratitude to Dignity Care and HospiceCare for their compassion and kindness.

Memorial contributions can be made to the Wild Animal Sanctuary, Kennesburg, Colo., or to the Quissett Harbor Preservation Trust at P.O. Box 197, Falmouth, Mass, 02541.

———

“LIFTING A SECRET”: Fertile Crescent artist Nezaket Ekici will be performing this piece on Thursday, October 4 at Princeton University’s Lewis Center for the Arts, Matthews Acting Studio, 185 Nassau Street. Audiences are invited to visit the installation in progress from 2 to 8 p.m. and to return at 8 p.m. for the culminating performance.

Miss Butterfly is going to meet the sun; as she is looking for a way out and reaching for the light, she becomes caught in a spider’s web. —Shadi Ghadirian

The piece of impromptu performance art recounted here happened in Turkey long ago at a crossroads clearing near Eregli, 243 kilometers south of Kirsehir, the birthplace of Nezaket Ekici. I’d begun the previous day’s journey in Izmir, where Ebru Özseçen was born. Ekici and Özseçen are among the 24 artists represented in the Rutgers Institute for Women and Art’s “The Fertile Crescent: Gender, Art, and Society,” a complex, many-faceted show of unparalleled scope that is currently spreading the wealth over multiple venues through the enlightened leadership of curators Ferris Olin and Judith K. Brodsky.

I’ve been scanning the faces of the women on the Fertile Crescent website (fertile-crescent.org), with its “signature images” of the artists and their art. The faces are remarkable. Strong and delicate, sultry and refined, some sly, some shy, some witheringly stern. For reasons that will soon become apparent, I’m trying to imagine what these women looked like when they were children. Since the impending scene takes place once upon a time in Turkey, I’ve been paying special attention to the photos of Nezaket Ekici, who has a bold, no-nonsense air, and Ebru Özseçen, who appears demure and unassuming, although her video “Jawbreaker” is edgy and erotic.

The closest I’ve come to finding the features of the child I’m searching for is in the smile of the Iranian artist Shiva Ahmadi whose work is described in the online commentary as “at once meticulous and loose, playful and somber, mythical yet very much dealing with the real.” These are qualities similar to those of the performance-artist-in-the-making I shared the roadside stage with late one hot August afternoon. Since Ahmadi’s contribution to the Fertile Crescent won’t be on view until Thursday, October 4, at the Arts Council, I have yet to see her work in person, but the samples displayed online in Google images are stunning and the equal of anything in the exhibit, even including the Iranian photographic artist Shadi Ghadirian’s darkly impressive “Butterfly Series” at the Bernstein Gallery.

In the Clearing

It’s the hour before sunset and I’ve been dropped off at a spot that appears to be the province of children. Earlier in the day at a Turkish version of a truck stop cafe where men sat talking and sipping tea while women in heavy robes worked in an adjacent field, I’d seen, not for the first time, an example of what women were up against, at least in the provinces.

After the long hot hours in the open back of the truck from Konya, I head for the nearest shady spot, stow my pack, and prepare to relax. Not for long. I have company in the person of a sunny, forthright little blonde of around ten, whose name I later learn is Atalette; she’s accompanied by a tawny-haired barefoot sprite of maybe six (possibly her little sister) who is hopping and peek-a-booing and dancing in place behind her. The name this mercurial being goes by is Gül (pronounced “Jewel”), according to Atalette. They want me to join them out in the clearing where the other kids are waiting, as if a show with a guest appearance by a skinny, unshaven, 20-something American had been advertised in advance of my arrival.

What can I do? Hot and tired as I am, I obey the call. It soon becomes clear that I’m to be merely the go-between, the prop, the sorceror’s apprentice. The sprite is focused on my shabby, shapeless straw hat. Lurching forward, dancing backward, spinning sideways, she sees something outlandishly, overwhelmingly desirable in the ludicrous object that I’d been wearing ever since a friend abandoned it on Mykonos. She has plans for that hat; designs on it, you might say. Too shy and too short to put her plan into action (she’d need wings or a ladder), she turns to Atalette, who mimes the message: Gül wants not merely to hold the hat but to put it on. And perhaps something more, something unlikely and unimaginable that is still only beginning to take shape for her. So I hold it out, here, take it, try it on, but that would have been too easy, too prosaic, too adult. Instead, after circling me, coming at me and backing off, she performs an impish pirouette and charges across the road, splashing happily in and out of a stream before disappearing briefly behind some trees; then back she comes in a zestful zig-zag, one dirty hand outstretched, only to retreat again, giggling, as if she were teasing me and herself and the boys who have been stolidly watching us the whole time.

Finally the moment arrives when the artist artfully and artlessly commands me to put the misshapen yellow blob on her head, a slapstick coronation, as she all but disappears under it. Then off she goes, a sudden gust of wind forcing her to hold the hat with one hand while wildly paddling with the other as she dances down the road followed by one of the older boys, who retrieves the hat, and solemnly returns it to me, like a diplomatic enforcer dealing with a potentially punishable indiscretion.

Meanwhile the sun has begun to set, giving the moment an aura of melancholy glory. So dazzled and disarmed am I by this time that I want her to have the hat, for good, forever, it’s hers, she’s given it a new life. I want to see her go dancing off with it again, and so she does, only to surrender it once more, tearlessly, bravely, wisely, to the relentless boy, who grimly brings it back to me. At this point Atalette has had enough: she tears into the enforcer, punching and kicking him in a kind of ecstasy until he slinks off. A beautiful moment, and it’s only the beginning now that both girls have the hat, and off they go, shouting and laughing down the road, passing the enchanted entity between them, until it seems to take flight on its own, glowing golden in the sunset light.

 

A truck is coming, it’s a ride clear to Adana. I grab my pack, ready to leave the hat with them, but Gül hands it back with a wise old look that seems to say, “It’s not for us, it won’t ever be ours, that’s how it is, that’s life.”

All the children are waving as the truck pulls off. I’m standing in the open back. Gül has stopped moving, it seems, for the first time since I got there. She’s giving me a strong, steady look I can’t help reading something into, perhaps some dawning awareness in her of the wider world at the other end of that road. Most children at her age still have a spark of genius in them but she’s aglow with it, burning with it, and I’m thinking of the lounging men and laboring women I’d seen earlier and what it suggests about “gender and society,” and I know, with a heavy, sinking certainty, that one day not that far in the future both these brilliant girls will be working in the fields while the grown-up boys sit drinking tea and talking politics and watching the women work.

Dream On

I’d like to think that the artists of the Fertile Crescent, Nezaket and Ebru, Negar and Sigalit, Shazia and Shirin, Farah and Parastou, are grown-up, productive, liberated versions of Atalette and Gül. I thought as much four years ago when I met Arzu Komili, a Princeton senior from Turkey whose exhibit at the Lewis Center I visited at Communiversity 2008. Ed Greenblat’s photograph of her has been cheering up my work space, smiling out at me, ever since. Arzu may have been born and raised in Istanbul, in a well-to-do household, but there’s a hint of the roadside sprite in her smile.

The two Turkish artists in “The Fertile Crescent” website may be half a generation younger than Atalette and Gül would be now, but the boldness of their themes and concepts suggests that they have fought the good fight against similar odds. Born in 1970 a half day’s drive from the crossroads near Eregli, Nezaket Ekici lives in Germany now and will be at the Lewis Center tomorrow, Thursday, October 4, in a performance piece she calls “Lifting a Secret,” in which she’s drinking coffee and reading passages from an adolescent diary she kept about a forced marriage arranged by her father. As her anger mounts, she spatters the wall with coffee, which, as it drips down, reveals the passage from the journal she’s been reading and that she’d written on the wall with petroleum jelly before beginning the performance. She refills her cup over and over again, slopping the coffee on the passage until all her words have emerged. Coffee makes the case nicely; it’s a darker and more dramatic developing fluid than the tea the men in the cafe were drinking while watching the women work.

For 41-year-old Ebru Özseçen, who also lives in Germany, indulge me for a moment and imagine the sort of art Gül would produce if by some miracle she’d run off to Europe to become a dancer or singer or sculptor or filmmaker, lured by the glow of that moment when the hat became her creation. In her artistic statement, Ebru plans to explore mundane reality in order to discover “its magical and unseen aspects, in the process, revealing a space where fantasy and memory hide in plain sight.”

You can see Ebru Özseçen’s brief video Jawbreaker on YouTube, as well as a four-part conversation apparently taking place in the proximity of the White Cliffs of Dover. In her proposal for a competition on “New Forms of Remembering and Remembrance,” she writes of a “memorial kindergarten” that “will be visible in the evening after the children go home …. The other phase will be seen in the morning, when the walls are lowered, and the children enter the kindergarten. When the children sleep, the work … stands guard”

Princeton Venues

Nezaket Ekici will also take part in the Arts Council of Princeton’s portion of The Fertile Crescent, from October 4 to November 21, along with seven other Fertile Crescent artists, including, as mentioned, Shiva Ahmadi, whose work can be seen on page 15. For full details about other venues, including the Princeton Public Library and the Princeton University Art Museum, visit http://fertile-crescent.org/signatureartists.html.

Note: In the unlikely event that readers of this column have read or may read my book Indian Action: A Journey to the Great Fair of the East, they will find an expanded version of the scene in the clearing with additional players and a different focus.

MISMATCH OR MADE FOR EACH OTHER?: Doug (Brad Wilson) and Kayleen (Katherine ­Ortmeyer) find themselves drawn together through many calamities over the course of 30 years, in Theatre Intime’s production of Rajiv Joseph’s “Gruesome Playground Injuries” at the Hamilton Murray Theater on the Princeton University campus through October 6.

Never thought of vomiting together as a bonding experience? Never fancied a romantic date that consisted of touching each other’s wounds? Never thought of “gruesome” and “entertaining” together to describe a play you’d want to see? Well, there’s a first time for everything, and Rajiv Joseph’s Gruesome Playground Injuries (2009), in a captivating production opening Theatre Intime’s 2012-13 season, delivers many surprises.

Eight-year-old Doug and Kayleen meet for the first time in the school nurse’s office. In this scene titled “Age 8: Face Split Open,” Kayleen describes her stomach ache and Doug describes how he injured his face by riding his bike, Evel Knievel-style off the school roof. Kayleen, fascinated, wants to touch his wound, then picks pieces of gravel out of his hands.

The first of eight scenes centered on various injuries sustained by both characters over a thirty-year period, this childhood encounter sets the tone for the rest of the evening and the future relationship between Doug and Kathleen.

Accident-prone and self-destructive, both continue to hurt themselves in an astonishing variety of ways. Doug, seemingly driven by his unrequited love for Kayleen, blows out an eye with fireworks, gets his teeth knocked out in a fight, steps on a nail then breaks his leg while inspecting a damaged building, gets struck by lightning while on his roof, and falls off a telephone pole (“Maybe if I could climb to the top of this telephone pole in the rain at night, like the mast of a ship lost at sea, maybe I’ll see the shine of you, bringing me home again.”) Kayleen, who realizes her pain-based connection and at times even holds a healing power over Doug, is unable to requite his love. She suffers less dramatically but no less devastatingly by cutting herself — legs and stomach — and undergoing “about 25 medications” and psychiatric treatments.

Whether Kayleen and Doug are mismatched or made for each other never becomes clear, but their relationship remains loving, sensual, and unconsummated, full of mental and physical anguish on both sides, much more about pain than happiness or anything approaching conventional romance.

Yes, the play definitely lives up to its title, emphasis on “gruesome.” But this 90-minute, two-character show, skillfully and creatively directed by Princeton University junior Laura Gates and performed with style, focus, and commitment by senior Bradley Wilson and junior Katherine Ortmeyer makes for an entertaining evening.

Mr. Joseph’s dialogue is sharp, realistic, often funny and touching. Though Mr. Joseph, whose Bengal Tiger at the Baghdad Zoo was a finalist for the 2011 Pulitzer Prize, provides little background beyond Kayleen’s broken home with a harsh father and absent mother, the characters here are richly engaging, intriguing, and surprisingly appealing and sympathetic.

Mr. Wilson’s Doug is charming in his recklessness, honesty, and boyish bravado. His love for Kathleen, manifested in such dramatic fashion, is never in doubt and never diminished as the scenes jump forwards and backwards in time through three decades. Ms. Ortmeyer’s Kathleen is more complex, also increasingly broken physically and mentally as the play progresses, but perhaps even more troubling than her counterpart in her inwardness, her inability to commit, her quiet self-destructiveness.

Despite occasional lines that are difficult to hear, Ms. Ortmeyer creates a rich three-dimensional character, and the relationship established here is fascinating, at times even heartwarming and amusing. The fact that even the vomit scene — the protagonists again in the nurse’s office at school, this time at age thirteen as a school dance is going on in the background (“Our throw up is all mixed together. You wanna see? So awesome.”) — is more sweetly comical than grotesque surely attests to the creative powers of playwright and performers.

Ms. Gates has staged the play with clarity and focus. The eight short scenes, titles for each written on an easel on stage left, move along smoothly, with original music by Mark Watter and Matt Seely helping to set the mood and bridge the gaps. The simple, flexible, functional set by Amy Gopinathan, lighting by Marissa Applegate, and realistic costuming by Annika Bennett are appropriate and on target. As the drama between Doug and Kayleen progresses, between scenes the actors remain on stage, Ms. Ortmeyer stage right, Mr. Wilson stage left, changing costumes and putting on make-up.

The actors’ preparations, sometimes elaborate as they “create” various wounds and transition from age eight through five-year increments to age thirty-eight, add a significant element to the production. The breaks between scenes, the titles and the non-chronological sequence of events, the appearance of the actors “behind the scenes,” all have a certain distancing effect for the audience. Rather than being invited to lose ourselves in the lives of Doug and Kayleen, we are constantly reminded that we are watching actors as they present these characters. Curiously though, watching the actors’ preparations between scenes also adds a certain intimacy, distancing us perhaps from the lives of Doug and Kayleen, but at the same time inviting us into the theatrical process as Mr. Wilson and Ms. Ortmeyer take on these personas, get into character to struggle with the lives and passions of these troubled souls.

Ms. Ortmeyer, Mr. Wilson, Ms. Gates, and the Theatre Intime company team up with the 38-year-old Mr. Joseph here to provide an eccentrically interesting evening, and the promise of worthy future theatrical adventures.