“CHRISTMAS 2.0”: Passage Theatre presented an online reading of “Christmas 2.0.” Written by Donna Hoke (above) and directed by Michelle Tattenbaum, the romantic comedy probes the extent to which social media can jeopardize interpersonal relationships. Online contact with a former classmate endangers the protagonist’s current relationship with her husband. (Photo by kc kratt)
By Donald H. Sanborn III
This is an era defined by Apple,” observes Angela, the protagonist of Christmas 2.0. Angela’s mother, in a critique of restaurant patrons she sees absorbed by their phones throughout their meals, remarks, “What’s more fascinating than the person right in front of you?”
That conversation could point to an expedient partnership between technology and live theater. Under normal circumstances, the allure of electronic devices and social media would seem to hamper theaters’ ability to attract audiences’ attention to a live show, where they (presumably) would be fascinated by the person in front of them — on stage. However, faced with the fact that live venues have been closed because of the pandemic, a growing number of theater companies are presenting shows online.
Passage Theatre has presented a reading of Christmas 2.0. Playwright Donna Hoke’s wry but charming romantic comedy, which probes the extent to which social media and overreliance on technology can jeopardize interpersonal relationships, is an example of a play that is well suited to online performances. (The New Play Exchange’s website notes that the piece was workshopped at the 2015 Hormel Festival of New Works at Phoenix Theatre, and it won third place in the Pickering Prize for Playwriting Excellence.)
Victoria Davidjohn reads the stage directions, which establish the play’s first setting as “Jeff and Angela’s middle class living room. Jeff is busy on his phone; Angela is on her computer.” Angela (whom Autumn Hurlbert infuses with down-to-earth, mild-mannered earnestness) turns away from her screen to examine the couple’s Christmas tree, which she is concerned might be crooked. more