By Nancy Plum
Certain musical pieces are tailor-made for specific ensembles. Princeton Pro Musica, now celebrating its fourth decade of music-making, has long excelled at choral/orchestral works requiring precision, block sound and expert counterpoint. Eighteenth-century Austrian composer Franz Joseph Haydn composed numerous sacred masses combining chorus, soloists, and orchestra, but fewer oratorios. The first of these was Die Schöpfung (The Creation), Haydn’s musical interpretation of the creation of the Earth, the animal world, and man. Premiered in 1798, The Creation was an immediate hit in Vienna, receiving instant acclaim and becoming an unofficial anthem of Vienna until falling into obscurity toward the end of the 19th century. Revived in the mid-20th century, The Creation is now a staple of choral societies worldwide and an audience favorite.
Led by Artistic Director Ryan J. Brandau, Princeton Pro Musica presented Haydn’s illustrative oratorio Sunday afternoon at Richardson Auditorium. Together with a chamber orchestra and three vocal soloists, the 100-member chorus performed Haydn’s uplifting music showing solid preparation and command of the music. Conductor Brandau began the long orchestral introduction with restraint, as the earth slowly came into being. The string sections demonstrated an ability to play very quietly, with wind solos depicting life forms emerging amid the murky chaos. Clearly rooted in the oratorio tradition of George Frideric Handel, The Creation also showed the influence of Mozart in lyrical arias and poignant duets. more