“SKYLIGHT:” Performances are underway for “Skylight.” Directed by Emily Mann, the play runs through June 2 at McCarter’s Berlind Theatre. Kyra, a schoolteacher (Mahira Kakkar, left) attempts to rekindle her relationship with restaurant entrepreneur Tom (Greg Wood), but differences in lifestyle and ideology have caused them to grow apart. (Photo by T. Charles Erickson)

By Donald H. Sanborn III

McCarter Theatre is concluding its season with Skylight. In this literate play by David Hare, schoolteacher Kyra Hollis unexpectedly is visited by her former lover, restaurant entrepreneur Tom Sergeant, and by Tom’s teenage son Edward. Tom and Kyra attempt to reignite their relationship, but find that differences in their ideologies and lifestyle choices may make them incompatible. This engaging production is directed by Emily Mann, McCarter’s artistic director.

Skylight premiered in the West End in 1995, and opened on Broadway the following year. A 2014 West End revival transferred to Broadway, winning the 2015 Tony Award for Best Revival of a Play.

At the end of a winter day, Kyra, who is in her early 30s, arrives home at her flat in London, and empties a shopping bag containing ingredients for a spaghetti dinner. She is surprised to see the 18-year-old Edward, an intense young man who is taking a year off between high school and college, standing in her doorway. Although the encounter is awkward, it is clear that Kyra and Edward know each other well. She invites him in and turns on a rather ineffective electric heater. more

“MORIR SONYANDO”: Performances are underway for “Morir Sonyando.” Directed by C. Ryanne Domingues, the play runs through May 19 at Passage Theatre. Felix (Daniel Colón, left) and Genesis (Maria Peyramaure, center) try to come to terms with the abuse inflicted, and endured, by their mother, Paloma (Johanna Tolentino, right). (Photo by Jeff Stewart)

By Donald H. Sanborn III

Passage Theatre is presenting the New Jersey premiere of Morir Sonyando. This poignant family drama, which is set in North Philadelphia, had its world premiere in 2014 at Philadelphia’s Power Street Theatre Company, where author Erlina Ortiz is resident playwright and artistic director.

The title refers to a crucial moment in the story. It can be translated as “die dreaming,” and is the name of a drink that is popular in the Dominican Republic. According to the program, the misspelling of “soñando” is derived from the way Ortiz spelled the word when she was younger.

Morir Sonyando concerns the stormy relationship of a Dominican woman, Genesis — and her younger brother, Felix — with their mother, Paloma, who is a victim of domestic violence. Paloma has murdered her husband in a desperate attempt to protect her children, but inflicts on them the treatment she has endured. more

RICHARD III: Performances are underway for “Richard III.” Presented by Theatre Intime and directed by Naomi Park ‘21, the play runs through April 27 at the Hamilton Murray Theater. Richard III (Paige Allen, left) persuades Lady Anne (Miranda Allegar, right) to marry him, despite the fact that he has murdered her first husband: Edward of Westminster, Prince of Wales. (Photo by Naomi Park ’21)

By Donald H. Sanborn III

Theatre Intime, whose cast and production team consist of Princeton University students, is presenting Shakespeare’s Richard III. Director Naomi Park has opted out of drawing overt parallels to political events outside of those that occur in the play; this sleek production evokes the 15th century without being constrained by it.

The play is a fictionalized depiction of the bloody rise to the throne, and downfall, of King Richard III of England (1452-1485), the former Duke of Gloucester. It is believed to have been written in the early 1590s; the New Cambridge edition of 1999 conjectures that the play was written in 1593, with the premiere possibly having taken place in 1594. It was published in the first Quarto in 1597, and was included in the First Folio (Mr. William Shakespeare’s Comedies, Histories & Tragedies) in 1623.

“I am determined to prove a villain and hate the idle pleasures of these days,” Richard confides to the audience at the beginning of the show. To gain the crown, Richard schemes to pit his brother, King Edward IV, against his other brother, the Duke of Clarence, by having the latter arrested on a trumped-up charge of treason, and murdered while imprisoned in the Tower of London. This places Richard in a position to serve as regent until Edward’s son (and namesake) is old enough to be crowned. more

“FICTION”: Performances are underway for Pegasus Theatre Company’s production of “Fiction.” Directed by Peter Bisgaier, the play runs through April 14 at the West Windsor Arts Center. Linda (Jennifer Nasta Zefutie, foreground) is forced to re-examine her marriage to Michael (David C. Neal, rear left), when she reads his journal entries about his encounter with the mysterious Abby (Sarah Stryker, rear right) at a writers’ retreat.  (Photo by Darren Sussman)

By Donald H. Sanborn III

When author Linda Waterman is diagnosed with a malignant tumor and given three weeks to live, she secures a promise from her husband Michael, who also is a writer, that he will read her diaries after she dies. She also asks him to let her read his journals. This request makes him edgy, but he agrees — after tearing a page out of one of his notebooks. What follows is the unveiling of multiple layers of secrets in a seemingly close, if contentious, marriage — secrets that may or may not be true.

Written by Steven Dietz, Fiction premiered in 2002 at McCarter Theatre Center. The play returns to the Princeton area through the Pegasus Theatre Company. more

“THE GODS OF COMEDY”: Performances are underway for “The Gods of Comedy.” Directed by Amanda Dehnert, the play runs through March 31 at McCarter’s Matthews Theatre. Classics professor Daphne Rain (Shay Vawn, right) is visited by Dionysus (Brad Oscar, left) and Thalia (Jessie Cannizzaro). (Photo by T. Charles Erickson)

By Donald H. Sanborn III

McCarter Theatre is presenting the world premiere of The Gods of Comedy. In this delightful farce by Ken Ludwig, a classics professor makes a mistake that threatens her career, as well as her romantic interest in a colleague. She is visited by Dionysus, the God of Wine and Revelry; and Thalia, the Muse of Comedy and Idyllic Poetry. They are magical, have a passing familiarity with American pop culture, and come when they are needed. They also are impulsive and disaster-prone.

The young, independent, and ambitious professor Daphne Rain, who is planning to direct a production of Medea as part of her tenure folio, is visiting the island of Naxos. She is closely observed by Aristide, an eager merchant, who serves as a narrator at the beginning of the play. more

“COWBOY VERSUS SAMURAI”: Performances are underway for “Cowboy Versus Samurai.” Presented by Theatre Intime and the East West Theater Company at Princeton University, and directed by Jacy Duan ‘21, the play runs through March 9 at the Hamilton Murray Theater. Veronica (Megan Pan ’22, left) and Travis (Richard Peng ’20) have much in common. However, Veronica’s romantic preferences exacerbate Travis’ insecurities about his identity, presenting obstacles to the development of their relationship. (Photo by Naomi Park ’21)

By Donald H. Sanborn III

Things in nature always hide. Lizards change the color of their skins. Moths live or die based on the color of their wings,” muses Del, a high school P.E. teacher who is Caucasian. “They do these things because when you stand out in the world you invite danger. You … will be eaten alive by something that was waiting for you to show yourself. And that’s how I felt, standing like a shadow on your outskirts, invisible.”

This poetic monologue turns out to be one of many letters written, on Del’s behalf, to Veronica Lee, an intelligent and charming Asian American woman who has recently moved to the small town of Breakneck, Wyoming, to teach biology. The author of the letters is Travis Park, an English teacher who is Del’s friend and colleague, and the only Korean American man in Breakneck. Travis loves Veronica, but she prefers to date white men.

Theatre Intime and the East West Theater Company of Princeton University are presenting a talented production of Cowboy Versus Samurai. Michael Golamco, a playwright of Filipino and Chinese American descent, crafts this witty but moving romantic comedy as a contemporary re-imagining of Cyrano de Bergerac. more

“BICYCLE FACE”: Passage Theatre has continued its Solo Flights series with “Bicycle Face.” The show is written and performed by Hannah Van Sciver (above), and directed by David O’Connor. (Photo by Kate Raines)

By Donald H. Sanborn III

Passage Theatre continued its annual Solo Flights series with Bicycle Face, which was presented February 15-17. Written and performed by Hannah Van Sciver, and set in Philadelphia, this provocative monologue is a work of performance art. Multimedia is blended with live performance — dramatic and musical — to examine cultural attitudes in the late 19th century, the present, and a hypothetical future.

Created in 2015, the show premiered in June of that year in the Philadelphia SoLow Festival. Subsequent performances have included the Razor’s Edge Solo Performance Festival in New Orleans and the United Solo Theatre Festival at Theatre Row in New York City. more

“THE NICETIES”: Performances are underway for “The Niceties.” Directed by Kimberly Senior, the play runs through February 10 at McCarter’s Berlind Theatre. Zoe, a college student (Jordan Boatman, left) and Janine, a history professor (Lisa Banes) have a contentious discussion — and face its aftermath. (Photo by T. Charles Erickson)

By Donald H. Sanborn III

Choices have consequences,” a professor admonishes a student in The Niceties. In this multifaceted drama by Eleanor Burgess, a critique of a paper becomes a debate about race and American history. In the course of their conversation the characters choose words, and actions, that disrupt their lives.

On the surface, The Niceties is about racial injustice and its connection to American history. On a deeper fundamental level, the play examines the extent to which communication is difficult, particularly when conflict is magnified by social media. Generational tensions — including parent-child relationships — and gender issues are explored, as well as the conflict between idealism and pragmatism.  more

“A CHRISTMAS CAROL”: Performances are underway for “A Christmas Carol.” Directed by Adam Immerwahr, the play runs through December 29 at McCarter’s Matthews Theatre. Bob Cratchit (Jon Norman Schneider, second from left) and Mrs. Cratchit (Sharin Martin, back right) celebrate with their children, played by members of the young ensemble (from left): Alexander Perez, Ethan Chang, Romy Johnson, and Alicianna Rodriguez. (Photo by Mark Garvin)

By Donald H. Sanborn III

A Christmas Carol has returned to McCarter Theatre. To fully experience this annual production, audiences should arrive well before curtain time. Dressed in costumes that evoke Dickensian London, adult members of the community ensemble circulate the lobby. They are eager to discuss a model of the set, or to serenade anyone who will join them in a spirited rendition of “Jingle Bells.” more

“IPHIGENIA AND OTHER DAUGHTERS”: Performances are underway for “Iphigenia and Other Daughters.” Presented by Theatre Intime and directed by Princeton University sophomore Rosie Vasen, the play runs through November 17 at the Hamilton Murray Theater. Chrysothemis (Katharine Matthias ‘21, left); Electra (E Harper Nora Jeremijenko-Conley ‘20, center); and Clytemnestra (Abby Spare ‘20) confront each other about their family’s murderous past. Photo by Nora Aguiar.

By Donald H. Sanborn III

Theatre Intime, whose cast and production team consist of Princeton University students, is presenting Ellen McLaughlin’s Iphigenia and Other Daughters. The play is a contemporary retelling of three Greek tragedies — Euripides’ Iphigenia in Aulis and Iphigenia in Tauris and Sophocles’ Electra — with an emphasis on the female characters’ points of view, though Iphigenia’s brother, Orestes, is integral to the story.  more

“SALT PEPPER KETCHUP”: Performances are underway for “Salt Pepper Ketchup.” Directed by Jerrell L. Henderson, the play runs through October 14 at Passage Theatre. Paul (Justin Pietropaolo, left), a representative of a food co-op, shows restaurant owners John Wu (Fenton Li) and his wife Linda (Chuja Seo) an article about their new partnership — but the results are different from what has been promised. (Photo by Jeff Stewart)

By Donald H. Sanborn III

Passage Theatre is opening its season with the first professional production of Salt Pepper Ketchup. Playwright Josh Wilder was born and raised in Philadelphia, where the play is set; this is reflected by the script’s urgent realism. Director Jerrell L. Henderson, who directed the equally thought-provoking Caged for Passage’s previous season, has elicited uniformly strong performances from the gifted cast. more