February 17, 2016

Where to Invade Next: Michael Moore’s Faux Invasions in Tongue-in-Cheek Mockumentary

movie rev 2-17-16Oscar-winner Michael Moore (Bowling for Columbine) has been challenging the power structure ever since releasing Roger & Me in 1989. That ground-breaking exposé indicted General Motors for the outsourcing of jobs which led to the devastation of his hometown of Flint, Michigan. Over the intervening years, Moore has tackled a variety of controversial topics including the Iraq War (Fahrenheit 9/11), the healthcare industry (Sicko), and the global financial crisis (Capitalism: A Love Story), to name a few.

With Where to Invade Next, he sets his sights on the subject of American imperialism. You may remember that the Bush Doctrine, announced by President George W. Bush in 2002, asserted the United States’ right to wage preemptive war whenever it was deemed in the national interest. Relying on that doctrine, Moore circumnavigates the globe visiting countries with cultural and social features that are worth emulating.

However, instead of conquest with intent to plunder, the object is to borrow ideas from the ‘invaded’ countries that might improve our quality of life. For example in France, he asks public school cafeteria chefs how they manage to serve their students such fine cuisine as compared to the fare American children are forced to settle for. And his mission in Finland is to discern why its educational system is far superior to ours, while in Italy he describes the generous employment benefits, not only for maternity leave, but for honeymoons as well.

This faux invasion mockumentary features Moore in virtually every tableau. Fortunately, his tongue-in-cheek brand of humor is frequently sublime, and his earnest arguments are often persuasive, even if the format feels a little stale.

Very Good (***). Rated R for profanity, drug use, violent images, and brief nudity. In English, Italian, French, German, Finnish, Norwegian, Portuguese, and Arabic with subtitles. Running time: 110 minutes. Distributor: Dog Eat Dog Films.