By Stuart Mitchner
Before I put my moviegoer cards on the table, I should say upfront how much I enjoyed Quentin Tarantino’s Once Upon a Time … in Hollywood. I found more to like and even love in it than in anything I’ve ever seen by the director of that iconic cinematic sugar rush, Pulp Fiction (1994). If you asked me my favorite moments in the films of Wim Wenders or Jim Jarmusch (not to mention, not yet, Sergio Leone), I could go on for an hour and still have more to say. With Tarantino, it usually comes down to the moment when John Travolta and a barefoot Uma Thurman do the Twist in a nightclub dance contest, Thurman’s character having just told Travolta’s character that his gangster boss, her boyfriend, killed a man for massaging her feet. After that, the sugar began losing its kick and I had second thoughts about every single blood-bright bravura scene. But there was no denying the excitement of a new thing under the Hollywood sun. The mere fact that there was so much to talk and argue and bitch about was an accomplishment in itself.
With Tarantino’s latest still fresh in mind, I have no second thoughts worth mentioning about the interplay between Leonardo DiCaprio’s Rick Dalton, a fading TV cowboy, and Brad Pitt’s Cliff Booth, his charismatic stuntman double, driver, man Friday, and drinking buddy. I enjoyed watching the two speeding around LA in Dalton’s white Caddy, and the way Tarantino caught the nighttime, neon-branded, Sunset Strip spirit of the time and place. While DiCaprio gives an Oscar-worthy performance, Pitt supplies old-fashioned star power with his warmly earthy, good-humored alternative to the dour heroes played by Clint Eastwood and Steve McQueen. He’s a joy to watch at all times, whether he’s smilingly destroying an insufferably arrogant Bruce Lee (Mike Moh), going through the elaborate routine of feeding his pit bull Brandy, or fixing the television aerial on the roof of Rick’s Cielo Drive home, which just happens to be located in the immediate vicinity of the crime-scene-to-be inhabited “in real life” by Sharon Tate and Roman Polanski. more