By Stuart Mitchner
Thanks to an anonymous troll among the twittering wallflowers of the far-right who posted a video meant to shame the youngest member of the House, the first surge of joy and hope I felt in 2019 came from a four-minute video made by some frisky Boston University students doing Breakfast Club dance moves on a city rooftop. It’s hard to imagine a more gloriously apt expression for what happened in Washington on January 3 than the sight of Alexandria Ocasio-Cortez edging into view around the corner of that transformative moment with a big soundless shout of a smile, arms raised, black hair flying, as she uncoils, twirling, whirling, spiraling, the irrepressible embodiment of force and freedom. She and her fellow students were dancing to the music of the French band Phoenix, a number from 2009 called “Lisztomania,” with lyrics that have a ring ten years later, “This is show time, this is show time, this show time/Time, time is your love, time is your love, yes time is your love.”
Back to the Future
As the old year ended and the new one began, my wife and I were binge-watching a show that was too outrageous and irreverent for the networks in the mid 1970s. While revellers partied the night away in rainy Times Square, we were time-traveling to a daymare of small-town midwestern America, the home of Mary Hartman, mass murder, and the Fernwood Flasher.
The brainchild of All in the Family creator Norman Lear, Mary Hartman, Mary Hartman ran every weekday night between January 1976 and May 1977. Being first-time parents with an infant son at the time, we slipped comfortably into the chaos swirling around Mary (Louise Lasser) and her dysfunctional household. I doubt that we saw every episode, but we were definitely there when the Fernwood High basketball coach drowned, face down in a bowl of Mary’s chicken soup, an event that holds 97th place on TV Guide’s list of the 100 Greatest TV Moments. more