“THE BIG TIME”: Directed by librettist Douglas Carter Beane, and conducted by Fred Lassen, “The Big Time” was presented January 31 at McCarter’s Matthews Theatre. The cast included, from left, Michael McCormick, Jackie Hoffman, Bradley Dean, Raymond Bokhour, Will Swenson, Laura Osnes, Santino Fontana, and Debbie Gravitte. (Photo by Tom Miller)
By Donald H. Sanborn III
During a scene in The Big Time a prim British diplomat, Penelope Briggs-Hopkins, stiffly asserts that she is “not a fan of musical comedy.” She would disapprove of the musical in which she is a character; The Big Time is an unabashedly cheerful comedy, in the style of Hello, Dolly! or The Producers.
A concert performance of The Big Time was presented January 31, to an enthusiastic audience that filled McCarter’s Matthews Theatre. The event was the second installment of the Princeton Pops series, a new collaboration between McCarter and the Princeton Symphony Orchestra.
The show’s witty book is by Douglas Carter Beane, and the sprightly, memorable songs are by Douglas J. Cohen. The lyrics, which match the tone of Beane’s dialogue, have been set to music that evokes the big band era, as well as the sly saxophone-infused sound of a 1960s spy movie. Cohen’s well-crafted score establishes the characters’ personalities, while taking advantage of the performers’ vocal ranges.
Music director Fred Lassen opened the show by leading a band, formed by 16 members of the Princeton Symphony Orchestra, in a crisp rendition of the overture, which established the jaunty musical style. The orchestrations favor the drums, saxophones, and brass; however, the flute and clarinet stand out in other numbers.
In a program note Beane relates that the show originated as a screenplay for Oliver Stone. The plot was crafted to parody the film Under Siege (1992), in which mercenaries, posing as caterers and led by an ex-CIA operative, hijack a battleship. more