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The World Premiere of “Are You There, McPhee?” Opens at McCarter; With Plays Within Plays and a Wildly Absurdist Memory Journey
At a New York City party the guests are telling stories in the opening scene of John Guare’s new play Are You There, McPhee? at McCarter’s Berlind Theatre. Edmund “Mundie”…
College Applicants Define Themselves in 500 Words or Less, In “Admissions: the Musical,” Student-Written Comedy at Intime
Admissions: The Musical “Please somebody out there. Won’t you let us in?” Anybody who has participated recently in the college admissions rat race or who looks forward to that experience…
Can’t Live With Each Other, Can’t Live Without Each Other; Intime Revives “Private Lives,” Noel Coward Romantic Comedy
Love, marriage, divorce, remarriage, and repeat — Noel Coward’s 1930 masterpiece of witty repartee and stylish, high society British humor, seems a long way removed from life in the 21st…
Lenin, James Joyce and Dadaism — All in the Style of Oscar Wilde In Tom Stoppard’s Exuberant “Travesties” at McCarter’s Matthews Theatre
Tom Stoppard’s Travesties opened in London in 1974, came to the United States and won both Tony and N.Y. Drama Critics Circle Awards for Best Play in 1976 and is…
Princeton Singers Returns to Victorian Era With Choral Performance in University Chapel
On a night when Hollywood was honoring its own with the Oscars telecast, The Princeton Singers paid homage to its own past, as well as Princeton history, with a concert…
“Dead Man’s Cell Phone” Transports Audiences to a Surreal World: Absurd but Realistic, Trivial and Profound, Comical and Serious
Have our cell phones transformed the nature and quality of our most important human relationships? Sarah Ruhl’s Dead Man’s Cell Phone (2007) provides its audiences with an engaging, thought-provoking, consistently…
