Felix Mendelssohn did very little in the field of opera, however, his sacred oratorios are as theatrical as any 19th-century operatic work. In particular, the oratorio Elijah, premiered in 1846, musically depicts a dramatic Biblical story through arias, recitatives, and choruses, infused with the composer’s gift for melodic writing. The more than 100-voice Princeton Pro Musica, conducted by Ryan James Brandau, presented a well-informed performance of this work to a very appreciative audience on Sunday afternoon in Richardson Auditorium, showing off the capabilities of the chorus as well as four seasoned vocal soloists. more
Launched by Robert Lawrence Stine in 1992, Goosebumps is a popular series of spooky stories that are carefully crafted to scare 7- to 12-year-olds. The so-called Stephen King of kiddie literature has published hundreds of titles over the years and has sold about a half-billion books worldwide.
Directed by Rob Letterman, the film stars Jack Black as R. L. Stine, (the author he’s portraying makes a cameo appearance during a mob scene). Letterman and Black also collaborated in 2010 on a poorly received remake of Gulliver’s Travels.
At the point of departure, we find teenager Zach Cooper (Dylan Minnette) and his recently widowed mother (Amy Ryan) grieving their loss and in need of a change of scenery, so they move to Madison, Delaware. Their next-door neighbor, Mr. Stine (Black), is a reclusive grouch who warns the boy to keep off his property and stay away from his home-schooled daughter Hannah (Odeya Rush). However, it’s love at first sight for Zach, who is instantly attracted to her.
On his first day of classes at Madison High, Zach becomes friends with a loner named Champ (Ryan Lee). After school, the pair’s curiosity gets the better of them, and they decide to see what’s happening at the Stine’s house.
After entering the house, they rummage through the author’s mysterious manuscripts that are hidden in the basement, but they don’t realize that they have just unleashed an army of monsters. They’re all characters from Mr. Stine’s fertile imagination: a giant praying mantis, the abominable snowman, the werewolf, lawn gnomes, zombies, venus fly traps, the invisible boy, and so on.
What’s more, the zombies are controlled by a diabolical dummy who wants to wreak mayhem in Madison, and possibly go on to rule the world. Can the creatures be corralled and safely redeposited between the covers of the author’s journal? Can Zach win the heart of Hannah in spite of the objections of her overprotective father? The movie is a family-friendly adventure that provides a perfect blend of light hearted humor and spine tingling fright that will scare and delight children of all ages.
Excellent (****). Rated PG for scary images, intense action, and rude humor. Running time: 103 minutes. Distributor: Sony Pictures.
Like everyone else, I’ve never gotten over The Recognitions. — Harold Bloom
When I told a friend who likes big, difficult novels that I was about to begin William Gaddis’s 956-page tour de force The Recognitions, which was published by Harcourt Brace 60 years ago, he wished me luck: “I’ve tried at least 4 or 5 times to crack that book, but without success.” In a later message, after hearing that I’d embarked on so daunting a journey, he said, “I’ll pray for you.”
Over the decades, for every person who told me I had to read The Recognitions, someone else told me it was unreadable. Yet people who had “been there” carried on as if they’d returned from the journey of a lifetime. Having arrived safely, if dazed and word-weary, I’ll tell you some of what I experienced on my four-month sojurn in Gaddis’s mid-century wasteland. more
“ABRAHAM AND ISAAC”: This 62” x 62” oil on canvas by orthopedic surgeon, drawer, and painter Marc Malberg will be among the artworks displayed in the Rider University Art Gallery’s newest exhibit, “Biblical Inspiration in a Secular Age” running from November 5 to December 6. Malberg is one of five exhibiting artists whose work is based on a 21st century revisionist perspective on the Bible. Malberg’s images of Abraham and Isaac, Abraham and Aaron, Moses and the Burning Bush, and Absalom, King David’s son, will be on view in the exhibition.
Rider University’s Art Gallery opens an exhibition on Thursday, November 5 titled Biblical Inspiration in a Secular Age. Organized by guest curator Judith Brodsky, the exhibition will run from November 5 through Sunday, December 6. A reception in honor of the artists will take place on Thursday, November 5, and is free and open to the public. The artists will speak about their work in a free program open to the public on Thursday, November 12 at 7 p.m. more
The Princeton University Orchestra launched its 2015-16 season this past weekend with both old and new, challenging this year’s roster of musicians to draw on their highest level of playing. Conductor Michael Pratt paired the newest in performance imagination with a masterwork rooted in orchestral tradition, at the same time showing off one of the orchestra’s more talented members.
This year the University Department of Music has established a collaboration with the innovative So Percussion group as Edward T. Cone Performers-in-Residence. In its residency, So Percussion has been deeply entrenched in bringing their unique approach to the percussion around us to the students at the University, and Friday night’s concert at Richardson Auditorium was one more example of this creative and inventive combination of ensembles. Composer David Lang’s concerto man made, for percussion quartet and orchestra, made full use of the unique performance techniques and instruments of the So ensemble, complemented by the backdrop of a full orchestra. Lang’s man made began with the members of So Percussion supplying a rhythmic base with twigs snapped in various timings. No part of the twig was wasted — even dropping the pieces on the floor became part of the rhythmic pattern. The four percussionists were gradually joined by the orchestra in varying degrees of instrumentation. more
Twenty-nine-year-old Ravi Patel’s parents, Champa and Vasant, are Indian immigrants living in America who have begun pressuring Ravi to find a wife in accordance with their traditional courting customs. That means that they would initiate a process that would only consider a woman from the same caste as theirs, and preferably someone who already shares the family’s surname.
However, Ravi, who was born and raised in the United States, had little interest in choosing a mate in such a limited fashion, especially since he’s been secretly dating Audrey (who is not from India) for the past few years and he has fallen in love with her. Nevertheless, he decided to allow his parents to play matchmakers, but also arranged for his big sister Geeta to film the family’s comical attempts to find Ms. Right through a series of carefully arranged introductions.
Can an American college graduate agree to an arranged marriage when it’s time to settle down? That is the question posed by Meet the Patels, a delightful documentary that is co-directed by Ravi and Geeta.
The picture is hilarious, thanks to Champa and Vasant’s well-intentioned but overbearing style of parenting. It is clear that they want the best for their son, even if their concerns reflect values that Ravi believes in.
They escort Ravi to India to attend a Patel matrimonial convention where he speed-dates a number of eligible women. When he fails to make a connection with any of them, the family returns to California where there is a much smaller pool of appropriate potential wives to choose from.
“We’re paying the price, culturally, for moving to the U.S.,” his mother moans when her son rejects an overweight engineer she found for him at an online website. Meanwhile, comments from relatives like, “I need a marriage this year; I might die soon,” only serve to ratchet up the tension. Meanwhile, Audrey is patiently waiting in the wings and reminds Ravi that, “I have an interest in being your partner.”
Ravi’s difficult decision ultimately rests on whether ethnicity matters more to him than compatibility in the selection of a mate.
Excellent (****). Rated PG for mature themes, suggestive images, and smoking. In English and Gurjarati with subtitles. Running time: 88 minutes. Distributor: Alchemy.
Back in the late 1970s when video games were still a novelty, visual art was prominent in packaging and marketing but had yet to transfer to the screen. Fast forward a decade or so. Video game designers, some of whom are traditional painters and artists, are now able to experiment and express themselves in ways they may have imagined but didn’t think were possible.
It is this progression, and beyond, that an ambitious exhibit at The College of New Jersey Art Gallery is exploring through December 13. “A Palette of Pixels: The Evolving Art of Video Games” looks at the last three decades of the medium with concept art, sketches, and sculptures from video games, as well as interactive game stations. Curator Chris Ault, associate professor of interactive multimedia and the former chair of the department at TCNJ, said the question of whether video games are art has been a hot topic in recent years. more
Cézanne…was the greatest. The greatest for always. — Ernest Hemingway
Hemingway’s love of Cézanne is expressed more guardedly in his posthumous Paris memoir, A Moveable Feast (1964). Even there, after saying he was learning “very much” from Cézanne, he admits he was “not articulate enough to explain it to anyone. Besides it was a secret.” Here’s a world-famous writer entering his 60s and he’s still celebrating his enthusiasm as if he were a boy with a secret. Writing as his youthful alter ego in The Nick Adams Stories (1972) he lets his feelings show (Cezanne “was the greatest”) in a short hitherto unpublished piece titled “On Writing.” more
“HEAR, SEE, SPEAK”: Leon Rainbow’s “Hear, See, Speak” is among 32 works by 22 artists in “Art Served Up Trenton Style,” at the Gallery at Mercer County Community College until October 29. More information is available at www.mccc.edu/gallery.
The Gallery at Mercer County Community College (MCCC) presents “Art Served Up Trenton Style,” an exhibition of works from the Trenton Artists Workshop Association (TAWA) and the SAGE Coalition. The show runs now until Thursday, October 29 with an opening reception today, Wednesday, October 14 from 5 to 7 p.m. The MCCC Gallery is located on the second floor of the Communications Building on the College’s West Windsor campus, 1200 Old Trenton Road. Directions and a campus map can be found at www.mccc.edu. more
Photo By Roger Mastroianni
At dinner Saturday night before the show, with some old friends I hadn’t seen for a few months, the conversation was not unexpected. With a pleasant balance of seriousness and humor, we caught up on the latest news in our middle age (late middle age?) lives: our children and their challenges in school and in starting out in the world after college; other friends and family, and how difficult it can be for adults to get along with each other; politics and our worries about the dysfunctions in our government; the state of our environment, and what sort of world we’re leaving for our children; mortality, aging, and and how fast the decades have sped by. more
A great deal of music came out of World War II, including patriotic songs and battle-inspired orchestral works from leading composers of the time, but none was more poignant than the music composed in Theresienstadt, the ghetto established in the city of Terezin, outside of Prague, in which 140,000 individuals were imprisoned by the Nazis between June 1940 and the end of the war. This European wartime center of music-making was one of its most productive but also one of its most horrific locales — a walled “Main Fortress” used both as a transport center and artistic “model settlement” for German propaganda.
Theresienstadt was a city unto itself, with a cultural life rivaling any European major city. The collective art and music of Terezin has been the subject of books and films, and pieces by imprisoned composers are heard on concert programs, sandwiched among secure and comforting war horses. It is a brave ensemble that presents an entire program on the works originating from such a devastating creative environment. The Richardson Chamber Players became one such ensemble this past Sunday afternoon in Richardson Auditorium, with “Voices out of the Storm,” a program of five rarely-heard chamber pieces composed by composers of Theresienstadt. More poignant than the music itself was the fact that four of the composers died in 1944, with the fifth in early 1945, characterizing the program as a concert of talent unrealized. more
MacGyver was a TV series about a character who was famous for using his scientific knowledge to use everyday household items in order to survive in a variety of life-and-death situations. The Martian is an outer space adventure in which a stranded astronaut, with an uncanny knack for improvisation, uses a similar approach to survive on Mars.
The picture stars Matt Damon as Mark Watney, a wounded botanist who was mistakenly presumed dead and left behind by his fellow crew members in the wake of a dangerous dust storm on Mars. However, he is actually very much alive, but doesn’t have enough oxygen, water, food, equipment, and other resources necessary to last the four years it will take for NASA to rescue him.
Undaunted, resourceful Mark proceeds, among many other things, to perform surgery on himself and grow potatoes in a makeshift garden that is fertilized using his own waste products. And, like an intergalactic variation on Tom Hanks’s role in Cast Away, Matt Damon appears alone on the screen for most of the movie.
The great news is that Damon is captivating, and the 141 minutes running time flies by in a flash. Besides captivating us with his ingenious inventions, Matt repeatedly makes us laugh with his many humorous asides.
Directed by three-time Oscar-nominee Ridley Scott (Thelma and Louise, Gladiator, and Black Hawk Down), The Martian has all the tension of the movie Gravity. In addition, its visual effects are the equal of Interstellar.
Excellent (****). Rated PG-13 for profanity, injury images, and brief profanity. Running time: 141 minutes. Distributor: 20th Century Fox.
Book love is your pass to the greatest, the purest, the most perfect pleasure….The habit of reading is the only joy in which there us no alloy; it lasts when all other pleasures fade.
—Anthony Trollope (1815-1882)
The quotes about “book love” and “the habit of reading” spearheading this introduction to the upcoming Friends of the Library Book Sale surfaced while I was gazing into the sprawling immensity of Anthony Trollope’s beard. Of all the views of Trollopian facial hair shown in an online gallery of images, this prodigious display most fittingly suggests the depth and range of the event that begins Friday morning at ten in the Community Room. Seen here in full flower compared to the more crafted and contained incarnations, the author’s beard spreads hugely east and west, a veritable landscape, offering in its sheer breadth not only an evocation of the scope of the sale but a definitive image of its owner’s productivity, at rough count 40-plus novels, 15 story collections, and 15 works of non-fiction. more
Fifth grade teacher Heather Clark (Hope Kean) is about to get a visit from a parent she doesn’t expect. Eleven-year-old Gidion has committed suicide after bringing home notice of his suspension from school, but his mother Corryn Fell (Ugonna Nwabueze) is determined to keep her scheduled appointment with his teacher.
Filled with feelings of anger, confusion, guilt, sadness, and frustration, Corryn arrives at Heather’s classroom. She wants to know why Gidion was suspended. She wants to understand why he killed himself. She wants an outlet for her anger and emotions. She wants a target for her revenge. The play takes place in real time as the two women square off over the next 75 minutes. more
Performing arts organizations have long been exploring ways to better connect with audiences, and listeners often wonder what is really going on with performers onstage during a concert. Princeton University Concerts has taken a step toward answering all these questions with a newly-created “Performances Up Close” series bringing musicians and audiences together in an intimate space. This past Sunday afternoon saw the renowned vocal ensemble Gallicantus performing within a circle of 150 of their closest friends in Richardson Auditorium. In this unique concert arena, the audience could hear every nuance from both singers and music, and the members of Gallicantus could easily gauge the impact of their performance. The only thing wrong with this concept was that despite two performances on Sunday afternoon, only 300 or so people could fit onstage and hear the finely-polished vocal precision of these five singers. more
Malala Yousafzai was named after a girl who spoke out and was killed for doing it. The folk hero was a teenager who perished in 1880 while rallying fellow Pashtun resistance fighters to a victory over British invaders in a pivotal battle of the Second Anglo-Afghan War.
After choosing this significant name for his daughter, Malala’s father inscribed it into his family tree which was unusual because, until then, no females had been mentioned in his genealogy that stretches back several centuries. Furthermore, her father, Ziauddin Yousafzai, resolved to raise his daughter in such a way that she would see herself as the equal of any boy.
While such an approach might be unremarkable in the West, it was heretical in the Swat District of Pakistan, which was a hotbed of Islamic fundamentalism in the late 20th century. During Malala’s formative years much of the country was terrorized by the Taliban, which was blowing up any schools that admitted girls.
In defiance of their mullah’s absolute mandate against education for females, Mr. Yousafzai not only allowed his daughter to matriculate, but also spurred her to speak out online as an equal rights advocate blogger. This only infuriated Mullah Fazlullah who issued a fatwa (religious decree) against her over the radio. This led to an assassination attempt on her by one of the mullah’s followers as she was riding on a school bus.
Fortunately, Malala, who was just 15 at the time, managed to survive the bullet wound to her brain. As she lay in the hospital, her parents had no idea whether their daughter would ever even be able to walk or talk again.
She did eventually emerge from the coma, although she was deaf in one ear and needed months and months of rehabilitation. Initially, she blamed her father for her plight, since he was the one who had encouraged her activist streak. “I am a child,” she said, “You are my father. You should have stopped me. What happened to me is because of you.”
Eventually her health was substantially restored, and she became a stoic and serene symbol of resistance to radical Islam. With continued death threats hanging over their heads, the Yousafzai family (including Malalal’s mother and two younger brothers) resettled in England where she would become a champion of oppressed females everywhere.
Directed by Oscar winner Davis Guggenheim.(An Inconvenient Truth), He Named Me Malala is an engaging biopic that describes the close father-daughter relationship which enabled Malala to flourish in the midst of intolerance. Their tender interplay is enhanced by animated interludes which further intensify the sincere sentiments that are displayed on screen.
The picture shows Malala’s emergence as an international icon, that culminates with her becoming the youngest person ever to win the Nobel Peace Prize. The movie is a powerful portrait that illustrates the indomitability of the human spirit and is easily the best film of 2015 thus far!
Excellent (****). Rated PG-13 for death threats, mature themes, and disturbing images. Running time: 87 minutes. Distributor: Fox Searchlight Pictures. He Named Me Malala opened in select theaters on October 2nd and will be shown in over 2,000 theaters starting October 9th.
MOGAO CAVE 158: This photograph by James Lo features a reclining Buddha in nirvana in Mogao Cave 158. This image is among the paintings, sculpture, and manuscripts in the “Sacred Caves of the Silk Road: Ways of Knowing and Re-creating Dunhuang” exhibit at the PU Art Museum. The exhibit aims to provide a greater understanding of the Silk Road site.
“Sacred Caves of the Silk Road: Ways of Knowing and Re-creating Dunhuang” is on view at the Princeton University Art Museum now until January 10. The exhibit brings together paintings, sculpture, and manuscripts from the Mogao Caves to provide a greater understanding of the Silk Road site.
Since their creation over 1,500 years ago, the Mogao Caves, located on the outskirts of the city of Dunhuang in northwestern China, continue to narrate the history of religious art and connect the Eastern and Western worlds through their once central location at the gateway to the Silk Road. The caves come to Princeton through a time capsule of objects dating from A.D. 270 to the 1960s. The exhibit explores the aesthetic and transcontinental nature of this World Heritage Site. more
I’m planning ways to pipe “All I Need is a Miracle” by Mike and the Mechanics into the St. Louis clubhouse when the Cardinals host the National League Central Division playoffs this Friday. Why send a Power Pop anthem to a team that has won 100 games in spite of losing virtually half their starting lineup this season? That’s not miracle enough? Not if you add to that truckload of adversity the loss of a potential Hall of Fame catcher and proven post-season clutch hitter who saves pitcher’s souls and throws out baserunners at a major-league-leading clip. When “things fall apart” and “the center cannot hold,” Yadier Molina is the center that holds, and at this writing, there’s no way of knowing how effective he’ll be even if he’s cleared to play in the post season.
The September 20 incident that put Molina out of action is an example of what his former manager Tony LaRussa calls “beautiful baseball” — in the bottom of the eighth inning in a do or die game against the surging Chicago Cubs, Anthony Rizzo racing for home, a perfect throw from right-fielder Jason Hayward snagged on one hop by Molina, one quick stab of Molina’s mitt to tag out the sliding runner, a medley of forces converging in game-saving synchronicity. Except that as the catcher executes the neat rapier-like motion of the tag, the force embodied by the 6’3, 240-pound Rizzo going hellbent for home has Molina slinging off his mitt, in pain from what proved to be a partially torn ligament in his left thumb, and just like that, the one indispensable player is out for the last ten days of the regular season and perhaps the playoffs.
So it goes with baseball. Beautiful, yes, but also inevitably bipolar, a field of ups and downs and broken dreams. more
On March 11, 2005, Brian Nichols (David Oyelowo) was being escorted from jail to the Fulton county courthouse where he was scheduled to go on trial for assault, kidnapping, and rape. At the courthouse, however, he overpowered a sheriff’s deputy (Diva Tyler), took her gun, and embarked on a bloody killing spree in which he killed the judge, a court reporter, a police sergeant, and a federal agent.
Nichols then hijacked several vehicles and went from Atlanta, Georgia to its suburb Duluth. There, he accosted Ashley Smith (Kate Mara) on the street and, at gunpoint, forced her to take him home with her.
Once in the apartment, Ashley smashed her head against the wall in frustration even though she was doing her best to comply with Brian’s demands. She was well aware that he was armed, extremely dangerous, and was the subject of the biggest manhunt in Georgia history. Ashley, who was a single mother, didn’t want to do anything stupid that might jeopardize her chances of ever seeing her daughter Paige (Elle Graham) again, especially since, as a recovering meth addict, she had already been forced to surrender custody of her daughter to an Aunt (Mimi Rogers).
Meanwhile, the police were closing in. Since Brian had left his cell phone on, they were able to narrow his location to within a three-mile radius of the cell tower that was sending out his signal. They even spoke to him and suggested that he give himself up, which he refused to do.
A seven hour ordeal ensued during which Ashley and Brian not only bonded, but also experienced a life transforming catharsis. Thanks to Ashley’s Narcotics Anonymous sponsor, she had a copy at home of The Purpose-Driven Life, the inspirational bestseller by Pastor Rick Warren.
In response to Brian’s admission that “I’ve got a demon in me,” Ashley asked him if she could share some of the insights that were in the popular self-help guide such as: “The greatest tragedy is not death, but life without purpose,” and, “When life has meaning, you can bear almost anything.”
Warren’s inspirational messages resonated with Brian and he surrendered soon afterwards. Thus unfolds Captive, a tale of redemption directed by Jerry Jameson.
The movie is a riveting psychological thriller about a nationally publicized standoff that is told from the perspective of two troubled souls who were barricaded in a home surrounded by a SWAT team.
Very Good (***). Rated PG-13 for mature themes involving violence and substance abuse. Running time: 97 minutes. Distributor: Paramount Pictures.
Chrissie Hynde’s Reckless: My Life as a Pretender (Doubleday $26.99), which entered the N.Y. Times non-fiction best-seller list in 7th place this week, is a gutsy rock and roll memoir whose sales have undoubtedly been boosted by online chatter surrounding the author’s account of a sexual attack and her repeated refusal to blame her attackers. Now she finds herself, as she slyly puts it in a recent Washington Post interview, “a leading authority on rape.”
In the same interview, she says, “I wouldn’t expect most people to do some of the stuff I did. But then again, most people don’t get to be a rock star, either. We have to walk the plank.” In her case, walking the plank meant going to a biker “party” with a shipload of sexist pirates and suffering the consequences. more
After walking in a daze down the brightly-lit aisles of McCaffrey’s, stunned by Monday’s New York Times obit, I find myself in the same check-out line where I last spoke with the poet C.K. Williams, who died at home in Hopewell Sunday. When he and his charming wife Catherine lived on Moore Street, I used to see him often at McCaffrey’s. He was hard to miss. At 6’5, he loomed over everyone else. We would shake hands and I would think how good it is to live in a town where you can shake hands with a great poet while pushing a shopping cart at the market. Life in Princeton …. more
DANGEROUS LIAISON: Silva Vaccaro (Dylan McDermott) pursues his seduction of Baby Doll (Susannah Hoffman), as passions for vengeance and love coincide, in Tennessee Williams’s “ Baby Doll,” adapted for the stage by Pierre Laville and Emily Mann at McCarter’s Berlind Theatre through October 11. (Photo by Richard Termine)
Baby Doll Meighan, 19-year-old virgin wife of middle-aged Archie Meighan, lies provocatively sucking her thumb in her tiny bed as the lights rise on McCarter Theatre’s American premiere production of Baby Doll, adapted by Pierre Laville and Emily Mann from Tennessee Williams’s “scandalous” 1956 movie. more
IT’S A MIRACLE — HE’S STILL ALIVE: After the first responders could not find a pulse, they declared Pastor Piper (Hayden Christensen) as dead and left the scene after calling for a crew to deal with the disposal of the body and the wreckage. An hour or so later, a passing minister stopped to pray for the dead occupant, and to his surprise found that the Pastor was alive. Firemen were immediately summoned and, using the jaws of life, he was extracted from the wreckage and rushed to a hospital where he subsequently recovered.
Traveling Pastor Don Piper was thinking about having his own congregation on his way home from a Christian convention when fate intervened. His car was crushed so badly by a tractor trailer that he was declared dead on the spot by first responders who couldn’t find a pulse.
Since there was no hurry to extract him from the twisted wreckage, he was still lying there over an hour later when a minister (Michael Harding), who was passing by the accident scene, decided to stop and pray for the repose of his soul. But upon approaching the auto, instead of a corpse, he found the supposedly deceased pastor to be very much alive.
In fact, despite his considerable loss of blood, Pastor Piper was faintly singing a Gospel spiritual. A rescue team with the jaws of life was immediately summoned and he was soon extracted and rushed to the hospital.
Although he fought to survive for the sake of his wife (Kate Bosworth) and their three children (Hudson Meek, Bobby Batson, and Elizabeth Hunter), Don was actually undecided about whether he wanted to live or die. It seems that during his near-death experience on the side of the road, he’d briefly entered heaven.
There, he not only experienced an unparalleled feeling of unending bliss, but also had reunions with a number of dead loved ones, including his great-grandmother (Sallye McDougald Hooks) and two childhood friends (Matthew Bauman and Trevor Allen Martin). By comparison, being back on Earth was relatively painful, given the 34 operations he needed to undergo over the next several months to fix torn muscles, disfigurement, broken bones, and shattered disks.
Thanks to the power of prayer, Pastor Piper ultimately recovered. But rather than open his own church, he wrote a memoir that became a bestseller that describes his entrance into Heaven as well as his subsequent resurrection. Directed by Michael Polish (The Astronaut Farmer) 90 Minutes in Heaven is a modern parable even though the title gives away the ending.
Very Good (***). Rated PG-13 for an intense car accident and graphic images. Running time: 121 minutes. Studio: Giving Films. Distributor: Samuel Goldwyn Films.
“INTIMATIONS”: This oil on linen by painter Audrey Ushenko will be among those on display in her solo exhibit at the Rider University Art Gallery called “In Natural Habitat” from September 24 through October 25.
The Rider University Art Gallery will present an exhibition titled “In Natural Habitat” featuring the work of Audrey Ushenko from Thursday, September 24 through Sunday, October 25. The exhibit will include an opening reception on Thursday, September 24 from 5 to 7 p.m. and an artist’s talk on Thursday, October 1 at 7 p.m. Admission is free. more
On drives from Indiana to New York City before the Interstate, my parents took U.S. 40 east, which brought us into the hilly outskirts of Pittsburgh at night. It was the most vivid moment of the trip: the red-orange glow of steel mills against the dark sky, the smoke-hazed aura around the glow, the balmy summer air, the excitement of seeing that vision lighting up the sky. The moment was marked by the metallic scent of industry, like the aroma of pure power, which is what I seemed to be breathing again in “Iron and Coal, Petroleum and Steel: Industrial Art from the Steidle Collection” at the James A. Michener Art Museum. more