Two years ago, Princeton University music professor Simon Morrison was working on an article in the archives of Yale University when he noticed the original score for a ballet by none other than Cole Porter. Within the Quota, which had libretto, scenery, and costumes by wealthy expatriate artist Gerald Murphy, premiered in Paris in 1923 and was Porter’s only commission for a ballet. more
As temperatures warm up and spring buds make their presence known, one thing is musically clear in the Princeton community — the Princeton University Orchestra will show its best in the annual Stuart B. Mindlin Memorial Concerts. The student musicians of the orchestra were not born when these commemorative performances were first established, and the Mindlin children are all grown and on to amazing careers of their own, but one thing has never changed over the past close to 30 years — the University Orchestra has taken on the most challenging works in the repertory to end its concert year in a musical blaze of glory. This past weekend’s final performances of the orchestra’s 2016-17 season featured two towering composers of the 20th century in Paul Hindemith, who spent a good part of his career in the United States, and Gustav Mahler, who never fails to disappoint those looking to hear the most complex and dramatic of orchestral writing. more
For its annual concert commemorating founder and long-time conductor Walter L. Nollner, the Princeton University Glee Club reached high into the professional choral arena to lead the ensemble’s closing performance of the season. British conductor and composer James Burton, recently appointed choral director of the Boston Symphony Orchestra and conductor of the orchestra’s resident Tanglewood Festival Chorus, led the Glee Club on Sunday afternoon in Richardson Auditorium in a concert featuring works of Francis Poulenc and Ralph Vaughan Williams, an opportunity made possible by the spring sabbatical of University Director of Choral Activities Gabriel Crouch. While Mr. Crouch has been on sabbatical, the Glee Club has been ably directed by Renata Berlin, assistant director of choirs at the University and conductor of the William Trego Singers. Sunday afternoon’s performance showed the strength of the Glee Club as an organization and its consistent quality under different conductors. more
MUSIC AND HISTORY: Joe Miller, Choral Director at Westminster Choir College, is the conductor of this weekend’s performances of “Anthracite Fields” at Trenton’s Roebling Wireworks. Mr. Miller spent two years working to bring the Pulitzer-winning oratorio by Julia Wolfe to the Wireworks, where he is pictured.
When Westminster Choir College embarked on Transforming Space, a project exploring how the arts can alter a site not originally intended for that purpose, Trenton’s historic Roebling Wireworks immediately fit the bill. more
The Lewis Center for the Arts is presenting Into the Woods in the Berlind Theatre at McCarter. In this musical, fairy tale characters undertake individual quests, encountering temptations — and each other — along the way. The music and lyrics are by Stephen Sondheim, and the book is by James Lapine. An imaginative directorial concept and strong performances reward audiences for joining these characters on their journey.
This production, which celebrates the launch of Princeton University’s Program in Music Theater, is part of a spring semester course that provides students with rigorous experience in creating theater under near-professional circumstances. The students have worked with a professional director (Ethan Heard), design team, and stage manager either performing an onstage role or serving on the production team. more
THE FIRST COUPLE OF THE BANJO: Abigail Washburn and Béla Fleck played material from their Grammy-winning 2014 album at Princeton’s Richardson Auditorium. (Photo by Jim McGuire)
Finishing their second or third piece of the evening, Abigail Washburn and Béla Fleck rose from their seats to acknowledge an appreciative full house in Princeton University’s Richardson Auditorium on Thursday. “Clapping sounds really good in here!” Ms. Washburn exclaimed, eliciting laughter and a further wave of applause. But if, superficially, her remark sounded like preening, it was also true. Every sound reverberated warmly in the intimate, wood-lined hall. Clapping did indeed sound good there. But more to the point, the space wonderfully supported each note of the banjo duo’s engrossing performance that evening. more
AT HOME ABROAD: London-based sitar player, Anoushka Shankar, captivated a full house at McCarter Theatre last Thursday as she played material from her 2015 album, “Home.” (Photo courtesy of Harald Krichel; CC BY-SA 3.0 via Wikimedia Commons)
On Thursday, Grammy-nominated sitar player and composer Anoushka Shankar presented a concert of hindustani music to a rapt full house at the McCarter Theatre’s Matthews auditorium.
Ms. Shankar’s current tour centers on material from her 2015 album Home. The strictly Indian classical nature of the compositions marks a return of sorts for Ms. Shankar, whose preceding four studio albums had integrated elements of many disparate genres and musical traditions. Like her father, the world-renowned late Ravi Shankar, Anoushka Shankar is a champion of both her instrument and its versatility. more
At the time Gaetano Donizetti composed Lucia di Lammermoor, opera was a major form of entertainment in Italy. Composers were masters of melodies, and people expected to hear heroic tenors, virtuosic sopranos, and great Romantic love stories. Lucia di Lammermoor did not disappoint in its original Naples premiere, and this past weekend’s production by Boheme Opera NJ captured the opera’s musical flavor, combined with a hi-tech set design that Donizetti could never have imagined. more
ART: Performances are underway for the Pegasus Theatre Project’s production of Yasmina Reza’s “Art.” Translated by Christopher Hampton and directed by Jennifer Nasta Zefutie, the play runs through April 9 at the West Windsor Arts Center. From left: Marc (Peter Bisgaier), Yvan (Matthew Cassidy), and Serge (David Nikolas) are shown above. (Photo by John M. Maurer)
Art is a comedy about aesthetic differences, personality clashes, and a need people have for others to see things their way. A long-standing but uneasy friendship between three men is tested when one of the friends pays a lavish amount of money for an all-white painting. Spending decisions by the other characters also are called into question. more
JANE AUSTEN ON POINTE: American Repertory Ballet’s new production of “Pride and Prejudice,” at McCarter Theatre April 21 and 22, is the culmination of five years of work by choreographer Douglas Martin. Shown here are Erikka Reenstierna-Cates, who plays Caroline Bingley; Mattia Pallozzi, portraying Mr. Darcy, and Monica Giragosian as Elizabeth Bennet. (Photo by Richard Termine)
Over lunch with a friend, American Repertory Ballet artistic director Douglas Martin was brainstorming about possible full-length ballets to choreograph for the company. His friend made an unusual suggestion: Jane Austen’s 1813 novel of manners, Pride and Prejudice. more
CZECH FOLK MUSIC AND DANCING: Shown rehearsing for Westminster Opera Theatre’s production of Bedrich (Frederick) Smetana’s comic opera “The Bartered Bride” are Avery Peterman (Marie, left) and Evan Stenzel (Jenik). Performances are Friday, April 7 and Saturday, April 8 at 7:30 p.m. in the Robert L. Annis Playhouse on the campus of Westminster Choir College of Rider University. Learn more at www.rider.edu/wcc.
Westminster Opera Theatre will present Bedrich (Frederick) Smetana’s comic opera The Bartered Bride on Friday, April 7 and Saturday, April 8 at 7:30 p.m. in the Robert L. Annis Playhouse on the campus of Westminster Choir College of Rider University. It will be performed in Czech with English supertitles and a chamber ensemble orchestra. William Hobbs is musical director for the production and Ivan Fuller is stage director. Tickets are $25 for adults and $20 for students and seniors. They can be purchased online at www.rider.edu/arts or by calling (609) 921-2663. more
SIZE MATTERS: When this Martha’s Vineyard mega-mansion came close to falling into the sea, the owner simply bought up the neighboring property and had it moved back. The house is among several that inspired the filmmaker to make “One Big Home,” one of the offerings at the Princeton Environmental Film Festival through this weekend at Princeton Public Library.
Thomas Bena was working as a carpenter on the idyllic island of Martha’s Vineyard when he started noticing that homes being built were getting bigger — a lot bigger. On land overlooking the ocean where modest, clapboard homes once stood, huge mansions many times their size were going up at a rapid pace. more
MURDER ON THE ORIENT EXPRESS: Performances are underway for McCarter Theatre Center’s world premiere production of Agatha Christie’s “Murder on the Orient Express.” Adapted by Ken Ludwig and directed by Emily Mann, the play runs through April 2 on McCarter’s Matthews Stage. Hercule Poirot (Allan Corduner) is shown in the top photo and the play’s company appears in the bottom photo. (Photo Credit: T. Charles Erickson)
Ken Ludwig’s adaptation of Agatha Christie’s Murder on the Orient Express received its world premiere at McCarter’s Matthews Theatre March 17. As expected, the story keeps the audience guessing about the solution to the murder until near the end. Early on, however, it is no mystery that playgoers will find much to entertain them in this first-class production. more
Taking Princeton’s mind off the recent spring snowstorm, the Takács String Quartet returned to Richardson Auditorium this past week to close its Complete Beethoven string quartet cycle. Last Wednesday night’s concert (the closing performance of the series was Thursday night) featured violinists Edward Dusinberre and Károly Schranz, violist Geraldine Walther and cellist András Fejér in three string quartets showing both the classical structure and style of the genre and how Beethoven stretched the boundaries of the string quartet form. more
University orchestras frequently sponsor student concerto competitions, with resulting performances of single movements of a winning concerto or a standard work from the Baroque or Classical periods. Not the Princeton University Orchestra — the 2017 Concerto Competition winners presented this past weekend played some of the most difficult music in the concerto repertory. Hornist Nivanthi Karunaratne and pianists Kevin Chien and Seho Young chose complete and substantial works from the 19th and 20th centuries for their performance with the University orchestra. Led by conductor Michael Pratt in a performance last Friday night at Richardson Auditorium (the performance was repeated Saturday night), these remarkable soloists demonstrated performance abilities and composure way beyond their years. more
At age 32, Iranian-American harpsichordist Mahan Esfahani will perform on McCarter’s Berlind stage on Sunday, March 19 at 3 p.m. His McCarter program will include a mixture of old and new, including works by Cowell, Kalabis, Bach and Scarlatti. Single tickets are $50 and can be purchased online. For further information, visit www.mccarter.org. (Photo Credit: Bernhard Musil/Deutsche Grammophon)
BANJO DUO: On Thursday, April 13, 2017 at 7:30pm at Richardson Auditorium in Alexander Hall, 16-time Grammy award-winner Béla Fleck will collaborate with singer, fellow banjoist and wife, Abigail Washburn, to present vernacular music of Appalachia. This special event hosted by Princeton University Concerts (“PUC”) spans the genres of bluegrass, jazz, African and Asian styles. The duo will bring highlights from the their recent album, which won Best Folk Album at the 2016 Grammy Awards. Tickets are only $40 ($15 for students), available at princetonuniversityconcerts.org, and by calling (609) 258-9220. (Photo Credit: Jim McGuire)
16-time Grammy award-winner Béla Fleck will collaborate with singer, fellow banjoist and wife, Abigail Washburn, to present vernacular music of Appalachia at Richardson Auditorium on Thursday, April 13 at 7:30 p.m. more
In the most recent performance last week presented by Princeton University Concerts, it was fitting that the music of Franz Schubert, who played in a family string quartet ensemble, was performed by a mostly family quartet of musicians. The Salzburg-based Hagen String Quartet is comprised of three siblings — violinist Lukas, violist Veronika, and cellist Clemens Hagen — with the quartet completed by violinist Rainer Schmidt. The Hagen Quartet came to Richardson Auditorium last Thursday night to perform Schubert, Shostakovich, and Dvořák, showing the nearly full house that maybe there is something to sibling intuition and musical clairvoyance. more
For a number of years, Princeton Singers has enjoyed a successful collaborative relationship with the Princeton University Art Museum, performing a cappella sacred choral music surrounded by the iconic paintings and statues of the Museum’s Medieval chapel. This past Saturday night, the 16 voice professional vocal ensemble presented a double-header — a concert of unaccompanied works centered on the theme “As the Lily Among the Thorns,” performed twice during the evening to two different audiences. Artistic Director and Conductor Steven Sametz well researched the eight pieces from five centuries to find the “Lily” in the music, composers, or circumstances in which the work was written. more
FIVE DECADES OF DANCE: Twyla Tharp Dance visits McCarter Theatre as part of the choreographer’s 50th year of creating eclectic work. John Selya, offering his hand to the woman in blue, appears here with the company in “Preludes and Fugues.”
Since forming her own dance troupe after graduating from Barnard College more than five decades ago, Twyla Tharp has continued to challenge the way we think about dance. Starkly modern at first, her style has expanded over the decades to encompass classical ballet while weaving in elements of jazz, slapstick, even boxing. more
England is known for things green — spacious meadows, rolling hills — all part of “England’s green and pleasant land.” On a February Sunday afternoon, warm enough to make any gardener’s heart race with anticipation, the Richardson Chamber Players presented an instrumental and vocal concert devoted to England’s lush and opulent early 20th-century musical tradition. With an expanded ensemble including talented students, the Chamber Players musically reminded the audience at Richardson Auditorium that spring may not be that far off. more
INHERIT THE WIND: Rehearsing for Rider Theatre’s production of “Inherit the Wind” are Shelly Walsh in the role of Drummond and Dan Maldonado in the role of Matthew Harrison Brady in Rider University’s upcoming production of the play, that will be presented in the Yvonne Theater on the campus of Rider University in Lawrenceville. February 22-26. Learn more at www.rider.edu/arts.
Rider Theatre will present the Tony Award-winning play Inherit the Wind in the Yvonne Theater on the campus of Rider University in Lawrenceville. February 22 — 26. A preview performance will be Wednesday, February 22 at 7:30 p.m., and performances will be Thursday and Friday at 7:30 p.m.; Saturday at 2 p.m. and 7:30 p.m.; and Sunday at 2 p.m. The production, directed by Miriam Mills, will be performed by Rider University students. more
With picturesque towns and medieval castles, the Baltic nation of Estonia is known to many as a stop on a Baltic sea cruise; much of the classical world is unaware of the rich Estonian choral tradition dating back to the 12th century. In and out of Russian control from the early 1700s, Estonia most recently came into its own politically in 1991 and since that time, the worldwide choral community has been eager to devour the unique music of Estonia’s composers. The Estonian Philharmonic Chamber Choir, with its own 35-year high-level performance history, brought this long-standing musical tradition to the Princeton University Chapel last week. more
A SATIRICAL FANTASIA: Princeton University freshman Tri Le (left) as Frank and senior Kathy Zhao (right) as Kathy in rehearsal for Charles Francis Chan Jr.’s Exotic Oriental Murder Mystery to be presented at Princeton University’s Lewis Center for the Arts and directed by faculty member Peter Kim on February 10, 11, 16, 17 and 18 at 8 p.m. Performances will take place at the Marie and Edward Matthews ’53 Acting Studio located at 185 Nassau Street in Princeton. (Photo Credit: Justin Goldberg)
The Lewis Center for the Arts’ Program in Theater at Princeton University will present Charles Francis Chan, Jr.’s Exotic Oriental Murder Mystery by Lloyd Suh, directed by faculty member Peter Kim and featuring senior Kathy Zhao, on February 10, 11, 16, 17, and 18 at 8 p.m. Performances will take place in the Marie and Edward Matthews ’53 Acting Studio located at 185 Nassau Street in Princeton. The February 17 performance will be American Sign Language-interpreted. A symposium presented in collaboration with the student theater group East West Theater Company will precede the February 11 performance, beginning at 2 p.m. in the Matthews Acting Studio. more
GOING OR STAYING: That’s the question on the minds of students at Westminster Choir College, which could be relocated to Lawrenceville if Rider University, which owns the school, decides to put the Princeton campus up for sale. A 24-hour musical performance marathon by Westminster students, faculty and alumni this week was mounted as a protest by those who want the campus to stay where it is. (Photo by Emily Reeves)
Jody Doktor Velloso’s warm, melodious soprano filled the sanctuary of Nassau Presbyterian Church Tuesday afternoon, thrilling those seated in the pews. It was a sparse crowd. But Ms. Velloso’s recital was only the beginning of a 24-hour marathon held by The Coalition to Save Westminster Choir College. It was in protest of a proposal by Rider University, which owns Westminster, to sell the Princeton campus and relocate the music school to Rider’s Lawrenceville location. more