The Princeton Festival is presenting Man of La Mancha in the Matthews Acting Studio at Princeton University’s Lewis Center for the Arts. The auditorium becomes a dungeon in which Cervantes awaits trial by the Spanish Inquisition. A playwright and actor, he entertains the other prisoners — and the audience — by becoming Don Quixote, his creation. There is nothing quixotic about this beautiful production, which makes effective use of the intimate space.
The musical’s book is by Dale Wasserman, who based it on his television play I, Don Quixote. The Flamenco-infused music is by Mitch Leigh, and the lyrics are by Joe Darion.
Man of La Mancha is presented without an intermission, because Mr. Wasserman wished to avoid interrupting the narrative. Except for an opening guitar solo performed by one of the prisoners, there is no music during the dungeon scenes. Only the Don Quixote vignettes, which are set “various places in the imagination of Miguel de Cervantes,” contain songs.
Cervantes is brought with his manservant to a dungeon in Seville, to await trial by the Spanish Inquisition. The other prisoners, led by a “governor,” also place them on trial. If Cervantes is found guilty, he will surrender his possessions — costumes, makeup, and a mysterious manuscript — and the manuscript will be burned. Cervantes begs the prisoners to permit his defense to be in the form of a play. more