By Nancy Plum
Princeton University Summer Chamber Concerts ended its 2019 season last week with a return to the classics, as Canada’s Rolston String Quartet performed the final concert of the series. Formed six years ago at the picturesque and renowned Banff Arts Center in Alberta, Canada, the Rolston String Quartet provided a fitting close to a season featuring innovation by showing the future of classical music through the masterworks of the past. Violinists Luri Lee and Emily Kruspe, violist Hezekiah Leung, and cellist Jonathan Lo dazzled the audience at Richardson Auditorium last Friday night with their musicality and energetic approach to the works of string quartet masters Franz Joseph Haydn and Ludwig van Beethoven bracketing a complex piece by 20th-century Hungarian composer György Ligeti.
“Papa” Haydn is considered the father of the string quartet genre, which Beethoven subsequently pushed to new musical boundaries. Among Haydn’s most well-known string quartet compositions are those contained in Opus 76, the last complete set of the more than 60 quartets the composer wrote. Quartet No. 63 in Bb Major, the fourth of Opus 76, acquired the nickname “Sunrise” for its depiction of the sun coming up over the horizon, and the Rolston String Quartet brought out well the diverse shadings one sees in an early sunlit sky. In the first movement “allegro con spirito,” the Rolston players placed their musical emphasis on “con spirito,” energetically moving through the allegro with clean sforzandi accents and a light violin sound from Lee’s Baroque-era instrument. Lee and Kruspe also demonstrated especially sweet thirds between the two violin parts. more