By Nancy Plum
A 40-year history is commendable for any performing organization, and Princeton Pro Musica, which presented its first concert in the spring of 1980 and has only had two music directors in four decades, celebrated this milestone this past weekend with a festive concert at the Princeton University Chapel. Pro Musica’s decades-long musical roots provided bookends to Saturday afternoon’s performance of the music of George Frideric Handel as founder Frances Fowler Slade led the 100-voice chorus in the opening and closing works on the program. Current Artistic Director Ryan James Brandau conducted the chorus and an accompanying chamber orchestra in several of Handel’s lesser-known but equally as appealing pieces, recreating a concert atmosphere which could have taken place in Handel’s time in a space which well suited the performers and repertoire.
Slade retired from Pro Musica in 2012, but many of the current singers performed under her direction for a number of years. Slade took the podium to lead the chorus and orchestra in two “Coronation” anthems of Handel, a composer whose music Pro Musica performed every year since its founding. Slade maintained a lively tempo in both pieces, keeping a crisp conducting style and encouraging the blocks of sound for which the chorus has been known. The University Chapel can be a cavernous space for a large chorus, and the choral sound that seemed to work best for Pro Musica included the ensemble’s trademark expansive homophonic passages. In both “Zadok the Priest” and “The King Shall Rejoice,” Slade guided the chorus well through the Baroque lilt in the music, demonstrating that even in retirement, she is still looking for precise endings and phrasing. more