By Nancy Plum
Princeton Symphony Orchestra continued its musical partnership with the Buskaid Soweto String Ensemble of South Africa this past week with a concert entitled Soulful and Scintillating Solos, launched Friday and running through the weekend. The Buskaid concert included works of classical composers Wolfgang Amadeus Mozart, Ernest Bloch, and Camille Saint-Saëns, along with American popular music and traditional South African selections. As with the first Soweto String Ensemble broadcast earlier this winter, the performance featured members of the Ensemble as instrumental and vocal soloists.
It is difficult to imagine that one of Mozart’s most iconic chamber works was composed as “background” music to an 18th-century social event, but that may well be the case with the popular Eine Kleine Nachtmusik. Composed in 1787, this four-movement work was likely intended by the composer as a notturno, a chamber piece played late at night at a social gathering. Mozart appears to have given the piece its famous subtitle to differentiate it from a serenade, played earlier in the evening. Regardless of the work’s genesis, the musical themes of Eine Kleine Nachtmusik have remained among Mozart’s most recognizable.
Led by conductor Rosemary Nalden and playing from memory, the string players of the Buskaid Soweto String Ensemble played the first movement of Mozart’s Nachtmusik crisply and decisively, leaning into appoggiaturas and demonstrating graceful dynamic swells. Nalden provided effectively supple conducting gestures when required, and the players communicated well among themselves, showing that they had been playing together for a long time. This performance was taken from a 2019 archive, recorded (as were all the works on this program) in the Linder Auditorium of the Wits Education Campus in Johannesburg, South Africa. more