When Mort Altman (Will Swenson) passed away, his children returned home expecting to remain in town for a day or two. After all, despite being raised as Jews, they had no reason to expect to sit shiva (the traditional seven day mourning period), since their father was an avowed atheist and their psychologist mother Hillary (Jane Fonda) is a gentile.
However, after the funeral, their mother informs the children of their father’s dying wish that they mourn him for a week in accordance with religious tradition. And then she announces that they’re all grounded for seven days.
This development doesn’t sit well with any of them, since they don’t get along with each other and this is the first time in years that they’ve all been sleeping under the same roof. Furthermore, their father’s death couldn’t have come at a more inopportune moment, since each of them is in the midst of a midlife crisis.
Judd (Jason Bateman) has just learned that his wife (Abigail Spencer) is having an affair with his boss (Dax Shepard). Meanwhile, brother Paul’s (Corey Stoll) marriage is in jeopardy because his wife (Kathryn Hahn), whose biological clock is ticking, has been unable to become pregnant.
Then there’s the playboy baby brother, Philip (Adam Driver), a narcissist with unresolved oedipal issues, and is dating a psychologist (Connie Britton) who is old enough to be his mother. However, he’s such a womanizer that he doesn’t think twice about shamelessly flirting with an old flame (Carly Brooke Pearlstein) right in front of his mortified girlfriend.
Finally, although their sister Wendy (Tina Fey) seems to be the most stable of the four, who is a mother of two with a devoted, but emotionally distant, husband Barry (Aaron Lazar) who is also a great provider. However, Barry’s obsession with his career on Wall Street has come at the cost of losing the passion and intimacy in their relationship. So, the last thing Wendy needs now is the temptation of an affair with Horry (Timothy Olyphant), her high school sweetheart who is still single, still in shape, and still living right across the street, even if he’s brain-damaged and lives with his mother (Debra Monk).
All of these situations serve as fodder for sophisticated humor in This Is Where I Leave You, a droll dramatic comedy directed by Shawn Levy (Date Night). Adapted to the screen by Jonathan Tropper, author of the best seller of the same name, this witty film features funny repartee as it explores themes ranging from religion, mortality, love, and betrayal.
Excellent (****). Rated R for profanity, sexuality, and drug use. Running time: 103 minutes. Distributor: Warner Brothers.