By Stuart Mitchner
Perhaps the most amazing thing about Friday Night Lights is that it is painfully, breathtakingly realistic and yet also exists as some sort of platonic ideal of what human beings can be ….
—Will Leitch, introducing A Friday Night Lights Companion
When Peter Berg pitched Friday Night Lights to NBC executives in 2006, he accentuated the negative: “I want to build up this all-American quarterback, this hero. This wonderful, beautiful kid with his entire future ahead of him …. And he’s going to break his neck in the first game. We’re going to create this iconic American hero, and we’re going to demolish him.”
Berg is quoted in “Clear Eyes, Full Hearts, Couldn’t Lose” (a variation on the Dillon, Texas Panthers’ pregame mantra “Clear Eyes, Full Hearts, Can’t Lose”), an oral history compiled by Robert Mays on grantland.com and posted July 28, 2011. Mays describes the series as the “story of a high school football coach from Dillon, whose improbable victories mirrored those of the critically beloved — but disastrously rated — show itself. In an era when sports television was supposedly at its nadir, when elite storytelling was supposedly only the work of prestige outlets like HBO and AMC, Friday Night Lights (FNL) emerged as the quintessential show about American spirit and uplift at a time when the moral and economic bedrock of our Country seemed most in doubt.”
That was “our Country” a decade ago. more