Protest Music and Radicalism Discussed March 9 at Labyrinth
Labyrinth Books will host a discussion of two new books at 6 p.m. on Wednesday, March 9: Noriko Manabe’s The Revolution Will Not Be Televised: Protest Music After Fukushima (Oxford 2015) and Jonathan Pieslak’s Radicalism and Music (Wesleyan 2015).
According to Michael K. Bourdaghs, University of Chicago, “Contrary to widely held stereotypes, Japan has a long and loud history of public protest. As Noriko Manabe shows in her important new book, the massive demonstrations in the wake of the Fukushima nuclear disaster belong to this tradition but also have produced their own distinct soundscape. Her detailed ethnographic and musical analysis of the parts numerous musicians have played in the movement vividly captures the sonic dimensions of this latest chapter from the history of Japanese street democracy.”
In Radicalism and Music (Wesleyan 2015), Jonathan Pieslak discusses music’s transformational impact on the radicalization, reinforcement, and motivational techniques of violent political activists in four radical groups: al-Qa’ida, racist Skinheads, Christian-affiliated radicals, and eco-animal rights militants.
Benjamin J. Harbert, co-editor of The Arab Avant-Garde: Music, Politics, Modernity, calls Radicalism and Music “a well-argued foil to the notion that music is a universal language that brings people together. The subtheme of music and its relationship to the Internet provides important groundwork for thinking of music as a particular ‘information technology’ without divorcing it from its ritual function.”
Noriko Manabe is assistant professor of music at Princeton University. She has been conducting field research on the Japanese antinuclear movement since 2011 and on Japanese hip-hop, reggae, and EDM scenes since 2005. She was previously a ranked analyst researching the internet, media, and videogame industries at JP Morgan in Tokyo. Jonathan Pieslak is an associate professor at the City College of New York and the Graduate Center, CUNY. He is the author, previously, of Sound Targets: American Soldiers and Music in the Iraq War.