Annie: Present Day Harlem Is Setting for Updated Cartoon Classic
Little Orphan Annie was a syndicated comic strip created by Harold Gray (1894-1968) which debuted in the New York Daily News on August 5, 1924. The cartoon described the adventures of an adorable 11-year-old girl with curly red hair who’d exclaim “Leapin’ lizards!” whenever she got excited.
The original strip also featured Oliver “Daddy” Warbucks, the millionaire who rescued her from an orphanage; Punjab, his loyal manservant; and Sandy, her adopted stray dog. The popular serial was first brought to the big screen in 1932, and was adapted to the stage in 1977 as a Broadway musical.
Directed by Will Gluck (Easy A), this fifth film version is loosely based on that production. However, the story unfolds in the present at a foster home in Harlem instead of during the Depression at an orphanage located in lower Manhattan. And a few names have been changed, but the roles and motivations essentially remain the same.
At the point of departure, we find Annie (Quvenzhane Wallis) and her fellow wards of the state caught in the clutches of cruel Colleen Hannigan, (Cameron Diaz), an abusive alcoholic with a mean streak who takes delight in exploiting the little girls entrusted to her care. This predicament inspires the mistreated waifs to sing about how “It’s the Hard Knock Life” for them.
Every chance she has, Annie sits in front of the restaurant where she was abandoned long ago, praying for the return of the parents who had abandoned her, singing the sun’ll come out “Tomorrow.” However, hope arrives when she crosses paths with mobile phone magnate Will Stacks (Jamie Foxx), who invites the grimy orphan to move into his posh penthouse.
But did the billionaire make the generous overture merely for a photo opportunity to improve his image as a mayoral candidate? Will the cute kid be callously kicked back to the curb once the campaign’s over?
The outcome won’t be much of a mystery to the average adult, though it will probably keep youngsters and maybe even ’tweens glued to the edges of their seats for the full two hours. As for the lead performance, Quvenzhane Wallis is quite endearing as the latest incarnation of Annie, right from the opening scene where she takes the baton from a freckle-faced redhead (Taylor Richardson).
However, the film has a glaring weakness — a mediocre soundtrack. Jamie Foxx has the best singing voice here, by far. The rest of the cast members give it their all, but simply fail to deliver any show-stopping renditions of the familiar or the new tunes.
Good (**). Rated PG for mild epithets and rude humor. Running time: 118 minutes. Distributor: Columbia Pictures.