The skies are serene over Silverton, Oklahoma, with no reminder of the fact that four people recently perished in a deadly tornado that touched down in a neighboring city. So, we find the townfolk blissfully unaware of the rough weather that is bearing down on their area and threatening to ruin the high school’s graduation ceremonies.
Vice Principal Gary Morris (Richard Armitage), who is in charge of the commencement, has told his sons, Trey (Nathan Kress), a sophomore, and Donnie (Max Deacon), a junior, to film the ceremony in order to preserve it in a buried time capsule. His younger son complies with the request, but the elder is distracted by an opportunity to assist an attractive classmate (Alycia Debnam Carey) salvage her own video project.
Meanwhile, a team of storm chasers is rushing towards Silverton under the direction of its meteorologist, Allison Stone (Sarah Wayne Callies), since her data has predicted that the next funnel cloud is likely to form somewhere in that vicinity. However, she’s a single mother with a 5-year-old (Keala Wayne Winterhalt) back home, and as a consequence she’s less enthusiastic about taking risks with their safety than their leader, Pete Moore (Matt Walsh).
Moore is maniacal in his quest to capture what appears to be the mother of all cyclones on camera. So, he exhorts Allison and the rest of the crew to risk their lives in order to capture that elusive dream photo that will be taken from inside the eye of a storm.
However, they have a couple of vehicles that are specially outfitted for severe weather, including a glass turreted tank that can withstand winds up to 170 m.p.h. However, two local residents, Donk (Kyle Davis) and Reevis (John Reep), are daredevils who have decided to try to capture films of the storm by riding around in a pickup truck with a hand-painted sign that reads “TWISTA HUNTERZ.”
Allison’s dire forecast proves uncannily accurate as ominous clouds form overhead. That’s when the action begins in Into the Storm, a disaster film reminiscent of such classics as Airport (1970), The Poseidon Adventure (1972), and The Towering Inferno (1974).
This movie benefits immeasurably from state-of-the-art computer generated images, and is worth seeing for the eye-popping special effects alone. The movie is a campy, cheesy, yet visually captivating roller coaster ride.
Excellent (****). Rated PG-13 for profanity, sexual references, and scenes of intense peril and destruction. Running time: 89 minutes. Distributor: Warner Brothers.