“If Van Gogh were living today, he’d be painting digitally,” says Princeton resident Eva Flatscher. Instead of the traditional tools of paint, brush, and canvas, Ms. Flatscher uses light, a grip pen (the equivalent of a mouse in stick form), and a graphic tablet. “I paint live. It’s not prepared and its projected on stage against a white background with dancers.”
To paint live means that this artist’s work is very much of the moment. It’s a digital performance that, according to Wilfried Seipel, is nonetheless rooted in the Dutch masters of the 17th century. “Johannes Vermeer knew, that with the first stroke of the brush a painting is ready and readable for its entirety,” says Mr. Seipel in the introduction to Ms. Flatscher’s newly published book LightPainting (Long Pipe, LLC., New York, N.Y.).
Mr. Seipel is the executive director of the Museum of History of Art (KHM) in Vienna, a major cultural institution with a rich collection of Dutch Masters such as Bruegel and Rembrandt. His high praise is enormously gratifying to the artist and his is not the only voice expressing delight in Ms. Flatscher’s unique approach. Michael Birkmeyer, director of the School of Ballet at the Vienna State Opera, who worked with Ms. Flatscher in Austria, speaks of her as a “pioneer” who makes music visible. Her performances are an “avant garde combination of painting, dance, and music.” The Princeton resident has performed with jazz and classical musicians here in the United States and throughout Europe, to which she returns with some frequency.
Her live performances have taken place in the Jewish Museum in Vienna; the Festival Hall, St.Pölten, Austria; the Schauspielhaus, Bremen, Germany; and the Musikvereinssaal, Vienna.
Ms. Flatscher’s work “transforms traditional understanding of fine art and takes it to an entirely new level,” says Mr. Seipel. “At times, Eva Flatscher’s productions recall the Traumpfade, the ‘song lines’ or ‘dream lines’ of the Australian aborigines, who by dancing and singing seek to decipher the mystery of the cosmos, of ‘dreamtime,’ in a pictorial realization of the past.”
As a record of her work, Ms. Flatscher created 40 pieces, not on canvas, but on satin. These are the paintings in LightPainting, and that will be presented in a upcoming exhibition that is still in the beginning stages of preparation.
Created during live performances in venues spanning the globe, the paintings were meticulously finished in the artist’s Princeton studio.
Originally from Vienna, Ms. Flatscher and her husband, journalist Alfons A. Flatscher, moved to Princeton just under three years ago and have made their home on Birch Avenue close to the center of town. The artist, who describes herself as a city-lover, says the move was prompted by a desire for a comfortable town with good schools that would be a safe environment for the couple’s two children: David (17) and Alina (15), now a junior and freshman at Princeton High School.
“There is a high quality of life here in Princeton, especially for a painter,” says Ms. Flatscher who describes the move as having been surprisingly easy. She describes the people here as “warm and welcoming.”
LightPainting by Eva Flatscher is available online via Amazon.com. For more information, visit: www.evaflatscher.com/book.