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Love and Opera Are in the Air in Delightful Romantic Comedy

IS IT TOO LATE TO MAKE A GO OF IT?: Reggie (Tom Courtenay, left) and Jean (Maggie Smith) find themselves together again as residents in Beecham House, a retirement home for classical musicians. The pair was briefly married in the past and Reggie has not yet gotten over the breakup. Also, their reconciliation is crucial to the success of the annual fundraising concert for the home because they form half of the famous quartet whose appearance will guarantee the concert’s success, thereby keeping Beecham House solvent.

IS IT TOO LATE TO MAKE A GO OF IT?: Reggie (Tom Courtenay, left) and Jean (Maggie Smith) find themselves together again as residents in Beecham House, a retirement home for classical musicians. The pair was briefly married in the past and Reggie has not yet gotten over the breakup. Also, their reconciliation is crucial to the success of the annual fundraising concert for the home because they form half of the famous quartet whose appearance will guarantee the concert’s success, thereby keeping Beecham House solvent.

Sometimes a gem of a movie falls through the cracks that really has no business getting lost. Such is the case with Quartet, a delightful film directed by Dustin Hoffman and starring Maggie Smith.

The film was released in late December by the Weinstein Company, and one would naturally expect it to generate a lot of Academy Award buzz. But it was overlooked entirely, which means moviegoers might now be tempted to pass over the picture in favor of Oscar contenders. However, it would be a mistake to dismiss Quartet just because it lacks the Academy’s stamp of approval.

The story is set at Beecham House, a sprawling estate in England which is a retirement home for accomplished classical musicians. At the point of departure, we are introduced to three of its residents; Wilfred (Billy Connolly), Cecily (Pauline Collins), and Reginald (Tom Courtenay), opera singers who once shared the limelight as members of a famous quartet.

Melancholy Reggie is rather reserved in contrast to the comic relief from slightly senile Cissy and ladies man Wilf, a frisky codger who flirts with anyone in a skirt. In the meantime, Beecham House is busy preparing to put on an annual concert that is staged each year on Verdi’s birthday.

The plot thickens when Jean Horton (Smith), a very demanding retired diva, moves in unannounced. Not only was she responsible for the breakup of the above mentioned quartet, but she was also to blame for the failure of her brief marriage to Reggie.

However, Jean is so narcissistic that she’s initially oblivious to the effect that her arrival is having on Reggie, who apparently never fully recovered from their divorce. Instead, she spends her time complaining about having to adjust to the relatively modest accomodations at Beecham House.

Will the two reconcile, let alone be able to even share the same space? And can the quartet be reunited to perform as headliners at the recital, a fundraiser that is critical to Beecham’s remaining solvent? These are the concerns that will keep you entertained and engaged every step of the way to the glorious resolution.

A charming romantic romp.

Excellent (****). Rated PG-13 for suggestive humor and brief profanity. Running time: 98 minutes. Distributor: The Weinstein Company.

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