New Jersey Symphony Orchestra Presents Enthralling Violinist in Richardson Auditorium
This season, New Jersey Symphony Orchestra has had a sponsorship partnership with Novo Nordisk, the Copenhagen-based pharmaceutical company. Given the location of Novo Nordisk’s home base in Denmark, it was fitting that the orchestra’s post-Thanksgiving concert would feature music from Scandinavia. Friday night’s concert at Richardson Auditorium included the winteresque music of Norwegian Edvard Grieg and Finnish composer Jean Sibelius, with a violin soloist who was anything but icy.
The orchestra set the scene for the Sibelius Concerto in D minor with a rich yet stark sound for Grieg’s In Autumn, a one-movement work depicting sighs of impending winter. The winds in particular provided a warm sound, especially from oboist James Roe. Crisp rhythms from Mr. Roe and two flutes, as well as a trio of hunting horns, gave the impression of an open space of glacial scenery.
Young German violinist Augustin Hadelich took the Sibelius Concerto in D minor by storm, showing virtuosity and clarity in a performance which mesmerized the Richardson audience. Guest conductor Hans Graf began the concerto with a soft orchestral underpinning as Mr. Hadelich played a shimmering melody as if hovering over ice and snow. Playing a 1723 Stradivarius violin, Mr. Hadelich imparted a great deal of feeling into the first movement solo line, taking ample opportunity to put his individual stamp on the music. The solo violin was clearly the star of this concerto, joined by a very subtle clarinet solo by Karl Herman.
The grace and elegance of Mr. Hadelich was aided by the magnificent instrument he was playing. Clarity of tone rang up to the top of the register, allowing Mr. Hadelich to draw the audience into his web, especially during extended trills combined with double stops. When not playing, Mr. Hadelich intently listened to the music from the other musicians, closing the first movement with a lively and hypnotic cadenza. Through the rest of the concerto, pairs of instruments provided elegant contrast to the solo line, including from horn players Lucinda-Lewis and Andrea Menousek, clarinetists Karl Herman and Andrew Lamy, and oboists James Roe and Andrew Adelson.
Mr. Hadelich was popular enough with the Richardson audience to offer an agile Paganini encore, after which the orchestra moved on to a substantial piece in Johannes Brahms’s Symphony No. 3. The brass section announced the arrival of the symphony and Mr. Graf kept the tempo of the opening Allegro moving at a fast clip. The second iteration of the opening was stronger, contrasted by lighter and nimbler passages which showed Brahms’s Viennese roots. Mr. Graf closed the expansive first movement quietly, setting up well the pastoral Andante.
This second movement was mostly for the winds, with graceful celli and viola accompaniment. Mr. Graf and the orchestra brought out the familiar phrasing of this work well, taking little time between movements to keep the drama moving along. New Jersey Symphony closed the beloved Brahms work with crisp winds and horns in the quick-moving closing Allegro.
These day-after-Thanksgiving concerts by New Jersey Symphony have been as much a part of the holiday weekend as cranberry sauce for many years. For a brief couple of seasons, the orchestra chose not to present a Princeton concert on this weekend, but returned to the tradition, with great appreciation from the audience. It is clear that sometimes individuals just need a break from football and food to hear some great music.